camille bombois (30 résultats)

Paperback. Etat : Used: Good. Good to VG overall with no marks; internally VG; very minor shelfwear; 10 oz.;

Paperback. Etat : Used: Good. Good to VG overall with no marks; internally VG; very minor shelfwear.

Couverture souple. Etat : Comme neuf. BOMBOIS, Camille (illustrateur). 368 pages. Quatrième de couverture : "1515. Pendant que Français, Italiens et Suisses s'étripent à Marignan, que le pape Léon X s'acharne à embellir Saint-Pierre de Rome, qu'Henry VIII d'Angleterre n'a encore qu'une épouse - celle de son frère - et que le prince turc Suleïman se prépare à devenir Soliman le Magnifique, le jeune Jean Jambecreuse, peintre comme son père et son frère aîné, quitte sa ville natale d'Augsbourg pour parfaire son apprentissage à Bâle, ville alors en plein essor. Jean veut connaître le latin, la langue internationale de l'époque, celle qui, il le pressent, lui permettra de passer de l'ancien statut d'artisan à ce nouvel état dont on commence à parler en Italie et qui rapproche le peintre du poète : celui d'artiste. Il va alors se frotter aux plus grands penseurs de son temps : Érasme, pour lequel il illustre les marges de l'Éloge de la folie, mais aussi Léonard de Vinci, qu'il suit jusqu'à Amboise où le vieil homme termine ses jours, et auquel il dérobera certains papiers compromettants. De surcroît, par-delà l'apprentissage de son art, il va faire celui de la vie, laquelle - en ce siècle qui est également celui de Rabelais - est faite de bruit, de paillardise et de fureur. Le personnage de Jean Jambecreuse est inspiré de celui du peintre Hans Holbein (1497-1543). Cet ouvrage a la saveur d'un fabliau moderne : brillant, succulent et drôle, il joue avec finesse des genres et du langage. Rigoureusement documenté, il nous immerge au coeur du XVIe siècle par le truchement des aventures souvent teintées de grivoiserie du jeune Holbein.". Livre.

Soft cover. Etat : As New. Slim, stapled booklet; 24 pages, illustrated. Bright, fresh exhibition catalog. No marks or flaws; no defects.

Etat : Used: Very Good. Slight shelf wear, otherwise fine.

Paperback. Etat : Good. First Edition. 4to., stapled wraps with color tipped-in plate, bw plates (2 color), [16] pp. Tipped in cover plate creased, innermost leaf loose from bottom staple of binding. ; Well packaged in a box, ships with tracking.

Softcover staple-bound, 14 pages, very good condition; no internal marks.

Paperback. Etat : Very Good. same title but catalogue for March 4-April 5 1969 Perls Gallereis.

Etat : Good. CAMILLE BOMBOIS. Woman on high wire. Circus. Fairground. Cirque 1947 old print. Vintage colour print; Camille Bombois (1947). 37.0 x 27.0cm, 14.5 x 10.5 inches. Condition: Good. The print has been printed up to the edges of the paper, as issued, hence there are no margins or borders; The image shown may have been taken from a different example of this print than that which is offered for sale. The print you will receive is in good condition but there may be minor variations in the condition from that shown in the image. There are 6 pinholes close to the left hand margin where the print was bound into the book. There are images and/or text printed on the reverse side of the picture. In some cases this may be visible on the picture itself or around the margin of the picture.

Hardcover. Etat : new. Hardcover. As artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844-1910), Camille Bombois (1883-1970), Andre Bauchant (1873-1958), Louis Vivin (1861-1939) and Seraphine Louis (1864-1942). They are counted among the so-called circle of the "painters of the sacred heart"; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism.These French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874-1947), who organized their first joint exhibition in Paris in 1928. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : Good. 8vo. [8 pp.] Stapled Wraps With Deckled Edge, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Etat : Good. 8vo. [4 pp.] Printed Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Etat : Good. 8vo. [8 pp.] Stapled Wraps With Deckled Edge, Very Good, minor sun-fading. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Hardcover. Ehemaliges Bibliotheksexemplar mit Signatur und Stempel in gutem Zustand. 1 Sprache: Deutsch Gewicht in Gramm: 550.

Paperback. Etat : Used: Good. Folding 9.5 x 9.5" card stock with list of paintings in show and small pictures of the 31 paitings and small pictues of these painting on the back. Used in good overall; no marks; 4 oz.

Etat : Good. 8vo. [4 pp.] Printed Wraps, Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Etat : Good. 8vo., [12 pp.], Stapled Wrappers, Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Etat : Good. 8vo., [12 pp.], Stapled Wrappers, Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Etat : Good. [Exhibition Catalogue]. 8vo. Slight oblong. [16 pp.]. Soft, stapled yellow wraps with black lettering. Good with marginal staining. Black and white and color plates, some paste-ins. Paste-in color frontis and black and white plate on title page. Includes text by Maximilien Gauthier. Includes catalogue of 36 exhibited plates. Catalogue created to accompany the exhibition ?Camille Bombois: The Early Years?, held from October 10 through November 11, 1967 in New York, NY at Perls Galleries. From the Collection of the Art Historian Peter Selz.

Couverture souple. Etat : Bon. Paris, Galerie O. Pétridès, 1944. Plaquette in-12 agrafée, couverture illustrée, n. p., illustrations en noir. Édition originale de ce petit catalogue préfacé par Maximilien Gauthier.

Etat : Good. [Exhibition Catalogue]. 8vo. [18 pp.]. Soft, stapled burnt orange wraps with decorative black lettering. As new. Black and white and color plates. Includes black and white photographic frontis. Includes a text by Waldemar George. Includes list of 38 exhibited works. Catalogue created to accompany the exhibition of works by Camille Bombois, held from April 14 through May 2, 1964 at the David B. Findlay Galleries in New York, NY. Scarce. From the Collection of the Art Historian Peter Selz.

Hardcover. 107 S. Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Mit SU. SU mit Randläsuren. Anderes Titelbild bei Amazon. Ansonsten ordentliches Exemplar. 9783926318237 Sprache: Deutsch Gewicht in Gramm: 1000.

Etat : Good. Large format color print poster 26? x 17? Very Good. Minor signs of handling, else fine. Extremely Scarce.

Etat : Good. Large format color print poster 26? x 17? Very Good. Pinholes in all corners, else fine. Extremely Scarce.