simonon paul (20 résultats)

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 4.82.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Very Good+. Etat de la jaquette : Near Very Good. 1st Edition. First edition with complete number line, hardcover, has a minor skew to the binding with a small gap starting between the text block and case and the head of the spine, a short remainder line to the tail of the text block, and a touch of shelfwear to the spine ends and cover corners. Otherwise, this is a solid, clean Very Good+ copy in an unclipped, Very Good dust jacket, which has light bumps with thin creases to the spine ends and corners, a short snagged tear to the rear fold near the lower corner, rubbing with some small smudges to the covers, and very faint sunning to the spine. The jacket is wrapped in Mylar.

278 s. + 36 planschsidor. Rikt illustrerad. Häftad. Förlagsny.

Libro. Etat : New. Los Clash fueron un grupo insólito, una perfecta anomalía. Pioneros del punk rock británico, sus incendiarios conciertos y sus lúcidas composiciones, la brillante singularidad de su estilo y la pasión de su compromiso político lograron plasmar el espíritu de una época y los convirtieron en un auténtico fenómeno mundial cuyo legado sigue influyendo en los mejores músicos emergentes y despertando el entusiasmo, cuando no la veneración, de las nuevas audiencias. No deja de ser significativo que su documental autobiográfico Westway to the World obtuviera un premio Grammy o que la revista Rolling Stone escogiese London Calling como uno de los mejores álbumes jamás grabados. Éste es el primer libro hecho por el grupo mismo. Gracias a una laboriosa exploración de su hasta ahora inaccesible archivo, esta obra reúne materiales inéditos (carteles, ilustraciones o fotos de naturaleza muy diversa) acompañados por los comentarios, recuerdos y revelaciones de los propios Clash. Iconos, iconoclastas, arietes de todas las insurgencias, su historia está ya impregnada de leyenda. Mucha gente ha opinado sobre el cómo y el porqué de aquel estruendo, pero ya era hora de que los verdaderos protagonistas nos ofrecieran su versión.

Modernista, Stockholm 2012. Häftad. 278 (14) sidor. Illustrerad. Boken är i nyskick. Den första officiella The Clash biografin. Det här är den första Clash-boken som medlemmarna själva varit med och skapat.

Etat : buono. Musica Moderna Entertainment Music Modern in 4°, tela edit. con titoli argento al dorso e sovrac. ill., piccola rottura alla sovrac. - prima edizione it. - trad. di Claudia Benetello e Anna Mioni - riccamente illustrato in b.n. e a colori nel testo BUONE CONDIZIONI.

Hardcover. Etat : Fine. Simonon, Paul (illustrateur). 1st Edition. Book is in Fine condition, with no signs of wear/fading/damage throughout. No shelf wear at all. Very slight mark on front cover next to Paul Simonon's name, but hardly noticeable. Spine is in Fine condition, no cracking or marks, very tight binding. All text and photographs inside are untouched and perfectly legible, colour is very bright - no fading at all. Paul Simonon's signature is on the title page in pen. Paul Simonon was the bassist for the famous English punk rock band 'The Clash', who rose to prominence in the late 70s. Simonon initially studied at an art school, however quickly became disillusioned with the style of teaching and ultimately left. It was at this point that Simonon ran into Mick Jones - the guitarist and co-founder of 'The Clash'. 'Wot No Bike' was a limited print run publication of Simonon's artwork. This is a cloth-bound hardback publication in an edition of only 1000 copies - making this a very rare collectors item. The book contains 22 new and recent paintings by Simonon, as well as being signed by Simonon himself. Simonon's paintings bring British subcultures of the 1950 to 1970s into dialogue with modernist and realist painting traditions. His artwork is an insight into his inner life, something which has never been seen before. Signed by Author(s).

Near Fine in slightly dusty and creased publishers wrappers. Illustrated in colour throughout. Tipped - in Private View Invitation.

First edition hard back binding in publisher's original black cloth covered boards, blocked and lettered silver back. 4to. 11½'' x 10''. Full printer's code to the copyright page 9 8 7 6 5 4 3 2 1. The Clash: trend-setters, icons, revolutionaries. They were the pioneers of British punk rock and their story is steeped in mythology. Many people have an opinion about what made them who they were. This book gives the chance to read the full story, from the band themselves. Contains 383 pp with archive monochrome and colour photographs throughout. Fine condition book in Fine condition dust wrapper, not price clipped. Unused new book. Heavy volume weighing 2.5 kg, extra postage will be requested over and above our default setting for destinations outside of the UK. Member of the P.B.F.A. MUSIC [Rock & Pop].

Soft cover. Etat : Very Good. 1st Edition. A Nearly Very Good copy. Book has moderate wear, 1 inch professionally repaired tear to rear cover. Some usual toning to edges. Interior appears clean. First American Edition .

IP signed photograph, shows Paul Simonon in a half length portrait, 8 x 12 inch, obtained In-Person at Hamburg 2019, signed in blue sharpie, in very fine condition.

Signed CD leaflet `Galen & Paul - Can We Do Tomorrow Another Day?`,4,75 x4,75 inch, signed by Paul Simononand Galen Ayers insilver felt tip, in very fine condition. Accompanied by the corresponding CD.

Vintage studio still photograph from the 1980 film. A blend of fiction and music documentary, featuring extensive footage of The Clash on tour and in the studio, about a young Clash fan who leaves his job at a Soho sex shop to become a roadie for the band. The Clash would later express their dissatisfaction with the completed project due to what they considered to be racist portrayals of Black characters in the film, and printed button-badges reading "I don't want Rude Boy Clash Film" before the film's theatrical release in 1980. 10 x 8 inches. Near Fine. Carlson and Connolly, Destroy All Movies.