catalogue letraset (11 résultats)

Soft cover. Etat : Good. Letraset catalogue with samples of type and 'How to Use' instructions. Well-illustrated, many in colour (Pantone colour foldout inside backcover). Previous owner has laminated cover, shelf wear to cover edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Soft cover. Etat : Very good. No jacket. Cover cloth is beginning to fray along edges. Spine is creased, but binding is secure. Inside is clean and unmarked.

Couverture souple. Etat : bon. RO30135749: VERS 1988. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 15 pages augmentées de nombreuses photos en couleurs dans et hors texte. . . . Classification Dewey : 700-LES ARTS.

Sm.folio, (298mm.), [340]pp. Very numerous letter samples and graphic symbols illustrated. A good copy original stiff wrappers. This 'new' catalogue from Letraset includes 28 new typefaces,28 new Letratone patterns as well as a range of metallic type and new symbol sheets, included at the rear are 5 pages of Pantone colour samples, this has been shaved at the head with some loss of the heading. It appears that it should be a fold-out that went wrong at the binding stage.

Soft cover. Etat : Fair. No Jacket. Softcover. Condition: Fair to good, covers are generally quite shelfworn and lightly soiled with the edge of lower right corner missing to the rear cover. Previous owners name to the top right of the front cover. Internally the contents are in good condition. Binding sound. 120pp. This catalogue illustrates the range of over 225 dry transfer typefaces available from Letraset in 1975 and this edition of the catalogue also introduced the range of Pantone by Letraset products.

Hardcover. Etat : As new. Quarto. Hardcover. Printed patterned boards. No jacket presumably as issued. Black end papers. Profuse photography and collage. Unpaginated. Catalog of an exhibition held at TOTAH, New York, from September 8-November 6, 2021/ "TOTAH presents Off the Grid, featuring 45 works by California art legend Wallace Berman (1926-1976), on view from September 8th through November 6th, 2021. Rarely shown on the East Coast, this exhibition is Berman's long overdue return to New York since his last major solo retrospective at the Whitney Museum of American Art in 1978. Wallace Berman is a notorious guru of the 1960s art pantheon. He emerged out of Los Angeles' historic Ferus Gallery, driven by Walter Hopps, Robert Alexander and Ed Kienholz. Often cited as a West Coast Beat Generation artist who appeared on the cover of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and rubbed elbows with the likes of Allen Ginsberg, Dennis Hopper and the Rolling Stones, his contributions transcended the multiple comparisons of his aesthetic and the associations that he kept. Berman was a self-taught artist who incorporated the essence of the syncopated rhythms of jazz music and its culture, the mystique of re-appropriated objects, and his sharp wit expressed through mystical symbols and the popular imagery of his time. Surrealism, Dadaism and the Kabbalah all influenced his aesthetic. After discovering the possibilities of the Kodak Verifax photo copying system, Berman landed on his now famous motif in 1964. The image of a hand holding a transistor radio found in an advertisement for Sony, which appeared in Life Magazine, became his delivery system. By removing the speaker grill and inserting random appropriated images the hand shuffles up messages that appear to spring out of the ether. His early use of the gridding technique creates a visual cacophony that barrages the senses. In Off the Grid, we see many early examples of Berman searching for this now infamous motif. For example, in Untitled (Business Man at a Desk), we see Berman beginning to play with the idea of substituting content to shift the contextual interpretation of a common advertisement image. From 1956 Berman worked on an 8mm silent film (later entitled by his son Tosh as Aleph) that incorporated unconventional film techniques carried over from collage and painting. The film includes hand coloring, Letraset symbols, and collage portraits of pop-culture icons spun into a rapid-moving version of his gridded works. Off the Grid welcomes Wallace Berman back to New York after a long absence. Berman's presence in New York dates as far back as 1968 when legendary curator Kynaston McShine featured him in a one-man show at the Jewish Museum on the Upper East Side. This is a rare opportunity to see selections from the artist's oeuvre including the film Aleph, which will be screened at the gallery during the exhibition. This exhibition is realized in collaboration with Kohn Gallery, Los Angeles, Sam Mellon, and the Wallace Berman Estate. The exhibition will be accompanied by a catalogue"--TOTAH Press Release.

In-4, 30 cm, 186pp., illustr., Nb-0167, L'usine et le systeme Letraset - Les caracteres Letraset - Les trames et couleurs Letraset - Les planches techniques Letraset - Autres productions Letraset pour les arts graphiques.

Couverture souple. Etat : Bon état. In-4 broché 29,5 cm sur 21. 392 pages, couverture illustrée. Ouvrage illustré. Bon état d'occasion. Couverture avec pliures angulaires.

Hardcover. Etat : Very Good. Victor Pasmore (illustrateur). Small folio. 287pp plus [56pp]. A first edition of the limited edition illustrated with TWO LITHOGRAPHS SIGNED BY THE ARTIST. The dust jacket and the loose print inside are both original lithographs which are initialled and numbered by the artist, of a limited edition of 400 copies and two hundred respectively. (The English and USA editions both have the same cover, but the loose print is different and subsequently have a different edition size numbering.) A transparent plastic / glassine dust jacket protects the paper dust jacket is lightly discoloured and as usual, the dust jacket, an original lithograph, has had some light off setting from the letraset lettering on the spine. This has been removed off with a erasure sponge, leaving some light rubbing of the paper on the lithograph along the spine. The lithograph cover also has a small crease at the bottom edge of the spine and a small yellow mark .The lithograph on the cover is now protected with acid free tissue against the letraset on the glassine cover. The book is in fine condition as is the loose lithograph loosely inserted into the book.A very good copy of a rare book. Size 34 x 29cm (13 x 11.5 inches) More images can be sent on request.

wooden boards. Etat : Very Good. Stunning Madonna Staunton artists' book, being a mixed-media work combining an oil paint ground of abstract blotchy blues, purples and whites, with stenciled numbers and letraset text, all on canvas, adhered to wooden boards painted blue and green with red yellow and blue stenciled numbers; although we don't know the particulars of the composition, we suspect the components might have been gathered together from random pieces lying about Staunton's studio - the canvas is folded to a 6 panel concertina (the first and last panels adhered to the boards), roughly 410 x 1160cm when laid flat; the canvas may have been cut from a larger (possibly unfinished) painting; onto the ground-layers of paint are placed a number of small O's, random numbers, and words, all in letraset - most prominent of these are the names of philosophers (presumably significant to the artist): Lao-Tzu, Plato, Nietzsche, Pascal, Rousseau, Socrates, Kierkegaard, Mencius, Iris Murdoch, as well as philosphical terms such as good, evil, form, cause, truth, myth; also seen are larger stencilled numbers and letters; the boards consist of two layers of plywood, green over blue, and one thicker piece of pine to left edge of front board - onto the boards are stencilled numbers in olive, red and blue: 2, 7, and 9 to front board and 7, 5, and 9 to rear; Signed and dated in pencil: Madonna Staunton '96; our research fails to turn up a reference to this work in any Staunton catalogue or bibliography; Please Note: the title "Artists Book of Favourite Philosophers" is this bookseller's - the work is officially untitled. . . 41 x 20cm (closed). Very Good.

Illus. on recto. Single sheet, vertical & horizontal folds as issued. Amsterdam: 1978. Rare flyer announcement for an exhibition by Italian artist and poet Mirella Bentivoglio (1922-2017) at Other Books and So. It depicts some examples of her "letraset metaphors," "stamp-poems," and "ideo-poems." In excellent condition. ? Catalogue 237: Ulises Carrión (2022), p. 181.