caricature de daumier: Livres, Ancien ou d'occasion (22 résultats)

No Binding. Etat : Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

Pas de couverture. Etat : Bon. Honoré DAUMIER (illustrateur). GRAVURE ANCIENNE-LITHOGRAPHIE Honoré DAUMIER (1808-1879) LE RIRE D'AUTREFOIS - A PROPOS DES BALS DE L'OPERA CIRCA XIXe Légende : "Tu t'amuses trop ! " Signée dans la planche Papier imprimé au dos, extrait d'un journal et collée sur papier (Gravure authentique du XIXe siècle-original engraving) Dimensions de la feuille : 28 x 24,5 cm environ Dimensions de la gravure au coup de planche : 20,6 x 15,8 cm environ Etat : belle estampe (ref-R4388).

Couverture souple. Etat : bon. RO30010371: non daté. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Papier jauni. environ 12 pages, illustrations noir et blanc dans et hors texte, manque dans la marge. . . . Classification Dewey : 741.5-Caricatures.

Etat : Good. Honoré Daumier; J. J. Grandville; Paul Gavarni; Nicolas-Toussaint Charlet; Eugène Forest; Charles-Joseph Traviès De Villers; Hippolyte Bellangé (illustrateur). 536 pages. 9-/18 x 12-1/4 inches. Cloth in dust-jacket. Fully illustrated with all color prints reproduced in color. La Caricature was the 19th Century equivalent and the precursor of Charlie Hebdo. The editor Charles Philipon employed the major satirical artists of the mid-19th Century notably Daumier, Grandville, E. Forest, Charlet, Bellangé , Traviès, Raffet and Gavarni. It appeared for five years, between 1830-1835. The main subjects of the caricatures were Louis-Philippe and his entourage of July Monarchy politicians. Louis-Philippe, son of the Duke of Orléans, came to power after the 1830 Revolution as the Citizen King. However, he was not amused by the caricatures and once put Daumier in prison for 6 months, before suppressing the whole publication in 1835. He became more and more authoritarian and was finally forced to abdicate during the 1848 Revolution. The plates are numbered 1-524, but approximately 62 are double sheets so there are actually 462 separate prints. Georges Vicaire catalogued the 251 issues and 524 plates in 1895. However they have never been reproduced in a catalogue, nor has there been an English language discussion or catalogue of the corpus of prints Alan Wofsy Fine Arts of San Francisco will be publishing the first illustrated catalogue of all the lithographs that were published in La Caricature, 1830-1835 in the Spring of 2017. All of the works are described in French and English and are arranged in the order they appeared in the original publication. There is an index by artist and the catalogue by Georges Vicaire from 1895 is also included. Many of the artists contributed anonymously and were not identified by Vicaire but are now identified. Where there were no descriptions of the plates in the original publication (about 60 of the 462), this new edition now provides descriptions in French.There are essays in English are by Gordon Norton Ray and Edwin De Turck Bechtel and in French by Henri Beraldi and Georges VicaireThe general editor and designer is Corine Labridy-Stofle, a PhD candidate at the University of California, Berkeley.Melissa Bender, PhD, a lecturer at the University of California, Davis, and Joanna Oseman, a professional translator, have provided insightful English language descriptions of each of the caricatures. Alan Hyman, the editor of many catalogues raisonnés, is the Lektor.________________________Au XIXe siècle, La Caricature fut l'équivalent et le précurseur de Charlie Hebdo. Charles Philipon, son téméraire éditeur, y a rassemblé les grands plus artistes satiriques du milieu du siècle, notamment Daumier, Grandville, E. Forest, Charlet, Bellangé et Gavarni. Elle fut publiée pendant cinq ans, entre 1830-1835. Les principaux sujets des caricatures furent Louis Philippe et son entourage de politiciens, intronisés lors de la Monarchie de Juillet. Surnommé le Roi citoyen, Louis Philipe, fils du duc d'Orléans, arriva au pouvoir après la révolution de 1830. Malmené par Philipon et ses caricaturistes dès le début de son gouvernement, Louis Philipe n'était pas amusé par les dessins humoristiques qui le représentaient bien souvent sous les traits d'une poire. De rage, il fit même incarcérer Daumier, pendant 6 mois, puis bâillonnât enfin la publication pour de bon en 1835. Le Roi citoyen fut finalement forcé d'abdiquer lors de la révolution de 1848. Les planches sont numérotées de 1 à 524, mais environ 62 d'entre elles sont des planches doubles. Il y a donc 462 estampes distinctes. Georges Vicaire, le célèbre bibliographe, avait catalogué les 251 numéros de la publication et les 524 planches en 1895. Cependant, ils n'ont jamais été reproduits dans un catalogue, et il n'en existe aucune traduction en langue anglaise. Alan Wofsy Fine Arts publiera le premier catalogue illustré de toutes les lithographies qui ont été publiées dans La Caricature entre 1830 et 1835. La rédactrice est Corine Stofle, candidate au doctorat à l'Université de Californie, Berkeley. Toutes les ?uvres sont décrites en français et en anglais et seront disposées dans l'ordre chronologique de leur apparition dans la publication originale. Il y a un index par artiste, ainsi que le catalogue de Georges Vicaire de 1895. Il y a plusieurs essais de spécialistes de l'époque.

Etat : Fine. Number of books£º1.

Hardcover. 109p., profuse b&w reproductions (in a variety of media) plus the promised five color lithos (simple colorwork, not layered) as called for, hardbound in 11x8 inch dark red morocco over marbled green boards, beautifully tooled spine with raised bands, devices and titling gilt, abraded joints, pervasive light foxing within, terminal signature is detached but not damaged, badly broken hinges with casing nearly detached from textblock. Professional attentions would benefit item and its readership, otherwise just be cautious when going through. The V. Hugo singleton is a curiosity, quite a ferocious style; the Daumier are splendid; all inclusions are worthwhile and unusual. As is.

Couverture souple. Etat : Très bon. Paris . Imprimerie Aubert & Cie . 1849 . IDILLES PARLEMENTAIRES N° 202 . Une LITHOGRAPHIE extraite de la revue humoristique " LE CHARIVARI " . 250 x 360 mm HORS-TOUT , GRAVURE 205 x 290 mm .Au verso , texte & publicités de la revue . Trés bon état . CARICATURE de THIERS .

35x24,7 cm. Karikatur: 17,2x23,2 cm. Blatt oben beschnitten, gefaltet und an den Rändern gebräunt.

Couverture rigide. Etat : Très bon. Etat de la jaquette : Très bon. DAUMIER GILL BUSCH WILETTE HENGELER DORE (illustrateur). Fort volume de350 pages sur l' histoire de la caricature en EUROPE de la fin du XIX ème siècle . Ouvrage relié dos en cuir avec des fleurons dorés . Couverture de WILETTE conservée . Livre de référence sur le sujet avec de nombreuses biographies des auteurs . 12 planches en couleurs .

Media Piel Época. Etat : Bien. Felicien Rops - Willette - Daumier - Abel Faivre - Legrand - Leandre - Steinlen - Louis Morin - . (illustrateur). Primera edición. 28 x 21 cm. 480 pp. más numerosas láminas a color. Sumamente ilustrado entre el texto.

Couverture rigide. Etat : Très bon. CHAM - DAUMIER - GILL - WILLETTE etc. (illustrateur). 1ère Édition. L' ouvrage le plus complet sur les caricaturistes de fin XIX ème siècle . 500 illustrations dans le texte , 8 planches en couleurs et 36 planches hors texte . Bibliographie et histoire des JOURNAUX à caricatures , ALMANACHS . biographies des auteurs caricaturistes. Fort volume de 690 pages relié le dos en cuir avec fleurons dorés et en couleurs. Très bel documentation sur le sujet . Grand format in 4 ( 23 X 30 ).

Soft cover. Etat : Fine. Number of books?1.

Publisher: Museum of Fine Art, Budapest, - isbn 9789637063954 123 pages dust jacket ORIGINAL EINBAND - ORIGINAL PUBLISHERS WRAPPERS Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Couverture souple. Etat : Très bon. Paris . Labo. Le Brun . Sans Date . 6 Fascicules , 21 x 27 cm , de 8 pages illustrées . Bon état .

Lithograph, signed on plate with initials, as published in Le Charivari, by Aubert, horizontal crease, laid down, A caricature of Joseph Baron de Podenas [1782-1851] was described as an important but quite malicious politician. Originally a liberal about the time of this lithograph he became right-wing and eventually supported the Government of Louis-Philippe. This portrait was printed upside down in the magazine.

Lithograph, signed on plate with initials, as published in Le Charivari, by Aubert, horizontal crease, laid down, slight spotting, A caricature of Jean-Marie Fruchard [1786-1872] was deputy for Morbihan from 1831 to 1834. The portrait is similar to a sculpture of the politician by Daumier.

Lithograph, Second State, signed on plate with initials, as published in Le Charivari, by Aubert, horizontal crease, some spotting, removed from album, Francois Pierre Guillaume Guizot [ 1787-1874] statesman, poet and historian, who supported the constitutional monarchy before becoming Premier in 1847. He was overthrown in 1848.

Lithograph, Second State, signed on plate with initials, as published in Le Charivari, by Aubert, horizontal crease, some spotting, removed from album, Auguste Hippolyte Ganneron [1792-1847] was appointed president of the Court of Commerce and later on became Vice President of the Assembly. He was a Deputy from 1830-1847.

Lithograph, Second State, signed on plate with initials, as published in Le Charivari, by Aubert, horizontal crease, laid down, slight spotting, Jacques-Antoine-Adrien Delort [1773-1846] took part in the Revolution and served under Napoleon I until 1814 as a General in Spain. He supported Louis-Philippe from 1830 onwards.

Etat : Fine. Number of books£º1.

Suite of 31 plates (of 32?). 31 leaves. Oblong 4to. Contemp. half cloth, front board with mounted blue title leave in lithography. Title words gilt. Only edition. Not in Brivois, Sander, or Vicaire. Bookplate on first inner board. Marginal tears to plates 3,4, 12, 8, 25, 26 not affecting images. No plate 5.

London, Paris, New York, ?Studio? Autunno 1904. In 4to grande (cm. 29,6); bella legatura dell?epoca in mezza pelle a 4 nervi con ricchi fregi e scritte in oro; sguardie in carta marmorizzata; copertina anteriore originale conservata; centinaia di pagine non numerate con decine di tavole in bianco e nero ed a colori e fotoincisioni con veline protettive. Con un facsimle di autografo. Bella copia. Axs.