chevilles adam menuisier nevers de billaut (21 résultats)

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Couverture rigide. Etat : Assez bon. in 8°, de 22pp-5ff-92pp-4ff-292pp., (manque le f. blanc), vélin époque lég. taché et gauchi, légère restauration en marge des 2 derniers ff. Bonne édition augmentée des célèbres chevilles, poésies libres et originales, de ce poète menuisier de Nevers, protégé de Marie de Gonzague et du Prince de Condé, et pensionné par Richelieu. Corneille écrivit son éloge, Voltaire le compta parmi les écrivains du Grand Siècle, et l'on poussa même l'engouement jusqu'à le décorer du titre pompeux de "Virgile du rabot". Quérard Supercheries I/186 - Cioranescu XVII°/12194 - Brunet I/46 - Collation conforme au cat. BN et NUC (sans le f. blanc in fine).

Couverture rigide. Etat : Comme neuf. Edition originale. Adam BILLAUT [Maître Adam, menuisier de Nevers] Les Chevilles de Me Adam Menuisier de Nevers. Seconde édition, augmentée par l'auteur. A Rouen, chez Jacques Caillové et Jean Viret, imprimeur ordinaire du roi, au Palais, 1654 2 parties en 1 volume in-8 (162 x 106 mm) de 92-(8) et 292 apges. Reliure plein maroquin bleu nuit, dos à nerfs orné aux petits fers dorés, triple-filet en encadrement des plats, dentelle dorée en encadrement intérieur des plats, doublures et gardes de papier peigne, tranches dorées sur marbrure (reliure signée THIBARON, exécutée vers 1860-1870). Parfait exemplaire. Lavé et encollé. Imprimé sur papier fin. Seconde édition, en partie originale. La première édition a paru au format in-4 en 1644 chez Toussaint Quinet. Notre édition au format petit in-8 contient outre une épître en vers à Monseigneur le Vicomte d'Arpajon, Marquis de Sevirac, une Préface de Monsieur de Marolles sur les Chevilles de Maîstre Adam Billaut, Menuisier de Nevers, une série de poésies en guise d'Approbation du Parnasse, sur les Cheviles de Maître Adam Billaut, Menuisier de Nevers, par quelques grands noms tels que Corneille, Sain-Amant, Boisrobert, De Scudery, Scarron, Colletet, Benserade, Tristan l'Hermite, Pierre Richelet, le libraire Toussaint Quinet, etc. A la suite et formant la deuxième partie, se trouvent les vers de maître Adam Billaut, adressés à diverses personnes de la cour et autres grands du royaume. On y trouve des chanson bacchiques et diverses pièces adressées essentiellement à des dames. Adam Billaut, dit Maître Adam, né à Nevers le 31 janvier 1602 et mort le 18 mai 1662. Exerçant le métier de menuisier, il avait le talent de poète et chansonnier. Surnommé « le Virgile au rabot » (Pierre Bayle, in Dictionnaire historique et critique, vol. I, 1740, p. 564), il est considéré comme l'un des premiers poètes ouvriers. Dans la première partie de sa vie, Adam Billaut est maître menuisier à Nevers selon les actes paroissiaux notariaux. Il écrit alors des poèmes, qui sont connus localement. À la fin des années 1630, il adresse deux poèmes au Cardinal de Richelieu. En 1644 paraît à Paris le recueil Les Chevilles de Maître Adam, qui fait plus de 400 pages. Le livre est préfacé par Michel de Marolles et contient une « Approbation du Parnasse », des dizaines de poèmes adressés à Billaut par d'autres poètes, certains étant les plus fameux de l'époque. Ces textes mettent en lumière la différence entre le milieu social et professionnel de Billaut et sa création littéraire. Billaut devient alors petit officier la chambre des comptes ducale de Nevers; il le reste jusqu'à sa mort. Le Vilebrequin de Maître Adam paraît de façon posthume en 1663. Il partageait son temps entre Paris où il connut Saint-Amant, Colletet, Scarron et l'abbé de Marolles et Nevers où vivait sa femme, Catherine Renard, qu'il avait épousée vers 1630 et avec laquelle il s'entendait difficilement. Protégé de Louise-Marie de Gonzague et du prince de Condé, il fut pensionné par Richelieu. Pierre de L'Estoile dit de lui qu'il est un « poète naturel » ou un poète « par science infuse ». Corneille lui consacra un sonnet. Voltaire, qui l'a sans doute lu dans le Recueil Barbin (Recueil des plus belles pièces des Poètes Français, tant anciens que modernes, depuis Villon jusqu'à M. de Benserade, Paris, Claude Barbin, 1692), cita son rondeau, À un ami malade d'une sciatique, « qui vaut mieux que beaucoup de rondeaux de Benserade ». Cette appréciation positive de Voltaire, transmission du savoir érudit du siècle précédent, fait que Billaut n'est pas oublié au 19e siècle et qu'il intéressera les intellectuels ouvriers des années 1830-1840. Cette édition de Rouen, parue sans privilège, contient quelques poésies qui paraissent ici pour la première fois. Elle imprimée sur un papier très mince et très fragile et la plupart des exemplaires rencontrées se sont très mal conservés. La reliure et les soins prodigués par le grand maître de la reliure d'art qu'était Thibaron ont permis d'en faire un exemplaire de choix. Provenance : des bibliothèques Armand Richard avec son ex libris gravé ; autre ex libris gravé (tête de sanglier avec la devise : les bon livres font les bons clercs). Superbe exemplaire.

[BILLAUT (A.)].Maître Adam Billaut, menuisier de Nevers. Les chevilles. Le claquet de la fronde. Le vilebrequin. Textes choisis précédés d'un Essai biographique et littéraire par M. Gerin.Nevers, 1919, in-8°, rel. demi-bas., dos à nerfs, portr. et sig. autographe en front. 400 gr.

LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1654 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 449 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 449.

Rare first edition of this famous collection composed by the first French worker-poet. Cioranescu 12191; Graesse I, 18; Brunet, I, 46 ("the portrait of Me Adam is often missing"); De Backer, 755; Lachèvre, pp. 119 and 153. This is the first collection published by Billaut, who until then had only allowed occasional booklets to be printed. The first 28 pages are a long epistle in verse addressed to the Viscount of Arpajon. The 100 pages following the preface by the Abbé de Marolles contain 62 French poems by 53 authors and 7 Greek, Latin, Italian, and Spanish pieces in praise of the author. Under the title Approbation du Parnasse, Saint-Amant, Scudéry, Scarron, Corneille, Colletet, Benserade, Boisrobert, Beys, Ragueneau, Desfontaines, Tristan l'Hermitte, and Melle de Gournay testify to the considerable success of Les Chevilles. The second part contains the epistles, stanzas, rondeaus, sonnets, epigrams, songs, and elegies of Master Adam. The work, along with Le Vilebrequin (1663, printed posthumously) and Le Rabot (never published), is one of the three titles composed by the simple carpenter from Nevers who Adam Billaut (1602-1662) remained throughout his life, despite his Parisian ties and the protection he found in the capital, among literary circles and the great (Marie-Louise de Gonzague, Condé, Richelieu). He is considered today as the first French proletarian poet. Adam Billaut was born in Nevers in 1602. Little is known about his early life. He was a carpenter and a poet. He was even the first of a great tradition of worker poets that would develop especially in the 19th century. He began with "workshop" verses, a Muse of Wood Chips that seduced princesses and academics and became the darling of Parisian salons. Introduced by Abbé Marolles into the Bohemian world of letters, this "Virgil with a plane" was above all a courtier poet. He resisted the urging of his friends who wanted to lure him to Paris with a famous play: "Far away ambition and its wild chimeras!" / Let another go, proud, to the palace of kings / With pomp to display his haughty miseries / I prefer Nevers and the shadow of its woods! Billaut died in 1662. Master Adam's Ankles appeared in 1644 and enjoyed great critical success. While his poetry lacks elegance in a century full of it, his language is full of verve and originality, and his collections make him one of the foremost poets of the 17th century, one whose language is still appreciated, devoid of affectations and unnecessary ornamentation. The man nicknamed "the Virgil of the plane" and whom Voltaire considered one of the great writers of the 17th century, was a poet and a songwriter. This edition contains the preface by Michel de Marolles, who had met him by chance in the streets of Nevers, who had read his verses and considered this carpenter "one of the rarest things of the century." From then on, he was introduced to the great and, an object of curiosity, was sought after by all of high society. Billaut became the protégé of the Prince of Condé, was pensioned by Richelieu and admired by his peers; the first 96 pages correspond to verse eulogies by contemporary poets of the man who was a literary event. Corneille includes him in a sonnet, Rotrou devotes an epigram to him, Scarron and Scudéry dedicate odes to him. The collection contains an ode to Cardinal Richelieu, who had taken it under his wing. Printed in italic and Roman, sometimes Greek, characters, with typographical ornaments. A very complete copy of the beautiful portrait of the author in his carpentry workshop as a frontispiece. It is missing from many copies. Precious copy preserved in its authentic period soft vellum binding.

BILLAUT (A.).Les chevilles de Maître Adam, menuisier de Nevers.Seconde édition, augmentée par l'auteur.[Epistre de l'auteur à Mgr. le vicomte d'Arpaion; suivi d'une préf. de M. de Marolles; et d'une Approbation du Parnasse].Rouen, 1654, in-12, rel. demi-chagr. (reliure du 19e siècle), dos à nerfs, bandeaux, lettrines et culs-de-lampe gravés, nombr. rouss. 300 gr.

LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1644 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 475 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 475.

Leather Bound. Etat : New. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1644. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 474, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 474.

Leather Bound. Etat : New. Language: French. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1654. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 450, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 450.