jiri kolar collages (17 résultats)

Trade Paperback. Etat : Very Good. 1998 exhibition catalog. text clean and unmarked. binding tight. spine has creases. covers have light wear along edges. tiny price tag on rear cover. surface has some very small, light nicks. edges of pages have light wear. ISBN on last page of book-9630359251.

Softcover, 16 unbound pages; in Spanish; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft Cover. Etat : Very Good. This is a very good softcover copy with almost no wear. Completely clean. Text in Spanish. This catalog was prepared to accompany the exhbition at the Reina Sofia in Madrid in 1996. Exhibition directed by Jacques Dupin. Essays by Dupin, Susanne Borova, Raoul-Jean Moulin, and Jose-Miguel Ullan. Illustrated throughout in color. Biographical sketch. Exhibition history. Bibliography. 11" high X 9" wide, 237 pages. This book will be securely packed and shipped with tracking.

Softcover, staple-bound, 8 pages, very good condition; clean and crisp; no internal marks.

Paperback, 2x25.5cm, 72pp. Good condition (light wear; creased corners; library stamps at prelims and rear) in very good dustwrapper.

Couverture souple. Etat : Bon. Edition originale. Paris, ARC / Musée d'Art Moderne, 1971, agrafé sous couverture titrée, non paginé (8 pp.), (27 x 18 cm). Exposition du 11 mai au 6 juin 1971. 3 reproductions en noir et blanc. Texte par Raoul-Jean Moulin (extrait). Bon état (petites traces d'usage dont annotation au 1er plat et agrafes rouillées) / Good condition (slight traces of use including annotation on the softcover and rusty staples) (envoi suivi sous emballage pro).

Softcover. Etat : Very Good. Very Good RARE 12mo 7 1/4" x 5 1/4" pictorial staplebound art exhibit catalog featuring Jiri Kolar's artwork "Self Portrait" to front, no image to back, black lettering to front, minor foxing to back panel and edge, notable sunning and staining to back, slight bend to top corner, otherwise sharp tips, tightly bound, and unmarked throughout. Unpaginated, illustrated with four black-and-white images, essay by literary critic, Jindrich Chalupecky, poems titled "The Destiny of the Poem" and "Rollage" by Jiri Kolar, and chronology. Published in conjunction with the exhibition of Chiasmagen, Collages, Objects, Muchlage, Photo Screen, Rollages from 1966 to 1969 by artist Jiri Kolar at the Willard Gallery in New York from December 2, 1969 to January 3, 1970. From the essay: "[Jiri Kolar] was then a timid, ineloquent boy, as timid and ineloquent as his poetry-- at first sight, consisting of fragments of phrases, and a disarray of words, but in fact, at a closer look, revealing delicate, lyrical constructions made out of precious matter: a language unspoiled by literature, a language still anonymous, the admirable language of ordinary people." Heavy and oversized items may require additional shipping.

Etat : Good. 12mo. [8 pp]. Stiff, stapled printed white wraps. Very good with marginal toning along front wrap spine. Black and white plates. Includes text by Jindrich Chalupecky and an artist statement by Jiri Kolar. Includes brief artist timeline. Catalog created on occasion of exhibition ?An Exhibition of Chiasmagen, Collages, Objects, Muchlage, Photo Screen Rollages 1966 to 1969 by Jiri Kolar? at Willard Gallery in New York from December 2, 1969 through January 3, 1970. Scarce. From the Collection of the Art Historian Peter Selz.

8° kartoniert. 131 Seiten mit zahlreichen Illustrationen auf Tafeln. Zeigt 79 Arbeiten aus den Jahren 1961 bis 1971.Kleine Druckstelle an oberer Ecke des Papiers.Deckel und Rücken leicht gebräunt,sonst gutes Exemplar. Sprache: Italienisch Gewicht in Gramm: 200.

Paper cover, with separate cahiers. Ills, partly in color. -(In fine condition.).

First Edition. Signed. Near fine softcover, signed by Jiri Kolar on the title page, in the near fine colour pictorial dust jacket, spine a bit sunned. Loosely inserted is a letter from the Albemarle Gallery confirming the purchase of two collages by the previous owner of this catalogue. Paperback. With dj.

brossura. Etat : buono. 20.5x13 pp. 131.

Paperback. Etat : Near fine in wraps. First Edition. 21 x 26cm 72pp near fine exhibition catalogue signed by the artist on the title page. Packed with colour plus black and white reproductions and a text by Ronald Alley.

237 pp. 19. SI. 0113. ATENCIÓN: LIBRO EN ALMACEN. Gastos de envio: CORREO ORDINARIO, 2 euros a España, entrega 6 dias en oficina, SIN CERTIFICAR. CORREOS EXPRESS, 7 euros, CERTIFICADO entrega 48 horas a domicilio.

No Binding. Etat : Near Fine. Original exhibition poster by Jiri Kolar. 56 x 80 cm, in fine condition. Jiri Kolar (24 September 1914, Protivín 11 August 2002, Prague) was a Czech poet, writer, painter and translator. His work included both literary and visual art. Kolar was born in Protivín on September 29, 1914, in a working-class environment. His father was a baker and his mother a seamstress, and he himself trained early in life as a cabinet maker (which cost him a finger). He later changed trades several times, working as a construction worker, security guard, and bartender, among other jobs. In 1943 he became a full-time writer while living and working in Kladno. He moved to the capital Prague in 1945 to work as an editor of the publishing house Dru stvo Dílo. Kolar joined the Communist Party in 1945 but left the Party the same year.[citation needed] Because of his critical stance towards the regime he was not allowed to publish after communists took control in Czechoslovakia in 1948. He married Bela Helclová in 1949. When in 1952 police found his manuscript, Prométheova játra, in the property of Václav Černý he was arrested and spent several months in prison. Kolar was one of a group of several artists, among whom Václav Havel, Václav Cerný, Jan Vladislav and Josef Hir al, who met and discussed in Café Slavia, both during the period leading up to the Prague Spring when the communist regime grew more permissive, and in the period of normalization after the Prague Spring. Kolár's wild behavior lost him former friends (e.g. he threw coffee on Josef Hir al's shirt and had his soda water poured on him in return). The failure of the Prague Spring in 1968 brought Kolár and his work into disrepute again. In 1970 cerebral apoplexy stiffened his right arm. Kolár signed Charta 77 and while on a scholarship to West Berlin, the government decided to force him to emigrate; he was therefore not allowed to return home. From 1980 on he lived in Paris. After 1989 he visited his homeland more and more often. In 1999 Kolár injured his spine and he spent his last years in a Prague hospital.