paris de nuit de brassaï (26 résultats)

Rayon : Art Editeur : Paris Audivisuel Paris Musée Date de parution : 1988 Description : In-8 carré, 88 pages, broché, photos in texte, occasion, bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. ATTENTION : Les expéditions de plus de 2 kilos se voient appliquer un supplément de port. Un envoi en Mondial Relay est possible en France et en Europe. IMPORTANT : Le service économique d'envoi de livres à l'international "livres et brochures" prendra fin au 1er juillet 2025. Clients internationaux, profitez des derniers mois de ce tarif très avantageux. N'hésitez pas à vous renseigner avant de passer commande. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 22990.

Hardcover. Etat : Near Fine. Etat de la jaquette : very good. Brassaï (illustrateur). First Edition. 7-page text by Paul Morand, who also provides an 11-page section of explanations for each of the 62 full-page duotone photographs, which make up the bulk of the book. 80 pages. Language: French. Hardback with DJ. Inscribed by his wife Madame Gilberte Brassaï to Maria Morris Hambourg, Metropolitan Museum of Art, Department of Prints and Photography, curator and Princeton University & New York University professor. Dust jacket with a few creases and closed tears at the edges. First edition thus. 10¾" - 13". Inscribed by author. book.

Couverture souple. Etat : Satisfaisant. In-8 broché, 88 pp. photographies en noir et blanc, couverture légèrement gondolée. in-8°.

Couverture souple. Etat : Très bon. Un volume in-4 (24 cm x 22 cm), non paginé. Broché. Pour accéder à la totalité de notre offre, consultez notre site et notre blog Paris-Libris.

Couverture souple. Etat : Très bon. Un volume grand in-8 (24 cm x 19 cm). 18 p. de texte (Paul Morand, Lawrence Durell, Henry Miller). 63 photographies de Brassaï. Broché. Pour accéder à la totalité de notre offre, consultez notre site et notre blog Paris-Libris.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Dust jacket in very good condition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Dust jacket placed in mylar for preservation. Text is in French. Minor loosening to binding. Secure packaging for safe delivery. 1.01.

Couverture souple. Etat : Très bon. Edition originale. Sans date (1933). In-8 de 74 pages ; broché avec spirale de l'éditeur. Coll. "Réalités" (J. Bernier, dir.), Draeger imprimeur. Préface de Paul Morand et 62 photographies pleine page en héliogravure. Quelques menus frottements à la couverture et des coins modestement émoussés. Bel exemplaire.

Hardcover. Etat : Fine condition. Etat de la jaquette : Fine jacket in VG slipcase. Brassai (photographs by) (illustrateur). 1987 Japanese edition. Paris / Lorraines, France: Flammarion / Societe d'Impressions, 1987. Introduction and catalogue captions in Japanese. Fine condition in a Fine dust jacket with Fine translucent glassine over the jacket. Everything is enclosed in the original black stiff paper slipcase, with silver label printed in black. The slipcase is in Very Good condituion, complete with the original full wrap around band (pale blue, printed in black) and with a photo of Brassaà . NO owner's name or bookplate. NOT a library discard. NOT a remainder. Sharp corners. The book is illustrated with 63 full page PARIS BY NIGHT photographs by Brassaà (1899 - 1984), including #7. From a review: "The 7th photo in this book. is a famous work taken from the opposite side of Notre Dame Cathedral at night. The contrast between light and dark is wonderful . I'm overwhelmed with emotion that this was the place where it collapsed due to a big fire last year. Of course the photo was taken by Brassai, but it's probably him who applied the wonderful processing of Eliogravure." Oversize Hardcover. 10.75" wide by 12.75" tall. This large book will require SUBSTANTIAL extra postage for International shipments, but only the standard charge for priority or media mail. 1987 Japanese edition. Oversize Hardcover. Fine condition/Fine jacket in VG slipcase. Illus. by Brassai (photographs by). (xxxi), 65pp. Great Packaging, Fast Shipping.

Ring Binder. Etat : Good. 1st Edition. Paris de Nuit - 60 Photos Inedites De Brassai - Publiees Dans La Collection "Realites" Sous La Direction De J.Bernier - Original (ringbinder) edition from 1933. Text in French by Paul Morand; photographs in B&W by Brassaï - Interior very fine, the cover shows some wear and two dog ears, one on the front and one on the back of the book. Size: 250 x 200 Mm.

First edition. Softcover. First printing. Text by Paul Morand in French. A collection of 62 full bleed photogravures that represent the height of printing and imagery of France at night. A likely unique copy that includes two examples of the front cover. A close to near fine copy in spiral binding with some of the usual minor rubbing and edge wear to the front and rear covers but with the second front cover much brighter and largely free of wear. Internally a clean copy. A very nice copy of one of the true high spots of 20th century photography books and on virtually every best of lists. (Parr & Badger v1, 134 , Roth 76).

Petit in-4 carré ( 250 X 190 mm, broché par spirale métallique sous couvertures illustrées. EDITION ORIGINALE des 12 pages de Paul MORAND et PREMIER TIRAGE des 62 magnifiques photographies à pleine page hors-texte de BRASSAÏ d'un noir d'une rare intensité. "PARIS de NUIT" est du point de vue de la technique un livre exceptionnel. L'impression en héliogravure est peut être la plus somptueuse jamais vue, les noirs étant si riches et profonds qu'après avoir manipulé le livre, on s'attend à trouver des dépôts de graphite sur ses doigts. La palette de graduation est merveilleusement subtile, décrivant une gamme apparemment infinie de tons noirs et presque noirs. Trace de pli sur la couverture, bel exemplaire tout à fait désirable. Edition-Originale Littérature Photographie Beaux-Arts.

First Edition thus. Small quarto. This English version of the celebrated collaboration between Brassaï and Paul Morand was published shortly after the original French, on the occasion of an exhibition of Brassaï's photographs at the Batsford Gallery in London. One of the most iconic of the great Paris photobooks, featuring 64 full-bleed gravure plates expertly printed by Draeger-"arguably the most luscious gravure ever seen, the blacks being so rich and deep that after handing the book one expects to find sooty deposits all over one's fingers" (Parr / Badger, v1, 134). With Paul Morand's essay on nocturnal Paris translated into English by Stuart Gilbert. A superb copy, with only minor edge-wear to spiral-bound wrappers; near fine. This English version uncommon, with only 2 OCLC records located.

Paperback. Etat : Very Good. Photos by Brassai, 10 x 7.5", spiral bound pict stiff wraps, (12)pp of text by Paul Morand + 62 photographs by Brassai, covers quite worn, corners bumped and creased, some scratches to covers, pp toned and worn/bumped corners. Still, a usable copy. Text in French.

Soft cover. Etat : Near Fine. 1st Edition. SIGNED by Paul Morand atop his 8-page preface. Paris: Edition Arts et Métiers Graphiques, 1933. First Edition. Spiral bound quarto, sixty-four gravure plates. The highest celebrated, most iconic of the great Paris photobooks, printed in a luscious gravure so tactile "that after handling the book one expects to find sooty deposits all over one's fingers. One should think of it as amongst the best produced and influential photobooks ever" (The Photobook, Vol. I). Roth 101. Whereas most night photography of the period celebrates electric light, speed and metropolitan life, Brassai's portfolio expresses a different urban narrative. The Paris he shows, his "little boxes of night," is tawdry, intimate, dark and full of mystery, as though nighttime were its natural hue. As a young man, prefacer Paul Morand bathed in Parisian artistic circles and the high public service. Appointed at the age of 24, attached to the French Embassy in London, he began a career at the Quai which took him all over Europe. He entered literature in 1921 with his first prose work, Tendres Stocks, a collection of short stories prefaced by Marcel Proust. During the 30s, he published numerous books, travelogues, novels, short stories; he also practiced journalism, notably for Le Figaro. A lovely, collectible copy signed by Paul Morand. Book #vC1123. $4850. We specialize in Rare Ayn Rand, history, and science. Signed by Author(s).

4°. [6] Bl. u. 62 Tafeln in Tiefdruck. Illustr. OKart. mit Metallring-Heftung. Auer 198. Bouqueret, Paris 116. Koetzle, Eyes on Paris 106 ff. The Open Book 110 f. Parr/Badger I, 134. Roth, The Book of 101 Books 76 f. - Erste und einzige Ausgabe des ersten und wichtigsten Werks des bedeutenden Fotografen. - "Un livre moderne, superbement imprimé, avec une relieure spiralée, qui va aussitôt s'imposer comme un ouvrage majeur au sein du monde de la photographie" (C. Bougueret). - "Instead of seeing Paris de nuit as a great 'might have been', therefore, one should think of it as ampngst the best produced and influential photobooks ever" (G. Badger). - "Erst Brassai hat unser Bild von Paris komplettiert. Er war es, der die andere Seite der Stadt, jene zweite spätere, finstere Tageszeit, die untrennbar zum 24-Stunden-Rythmus gehört, erkundet und aufgezeichnet hat. Zugegeben, bei Nacht, im Schatten der Gassen oder im Dunkel der Katakomben wurde schon vor Brassai fotografiert. Allerdings nie wirklich mit System, nach Maßgabe eines Konzepts und mit künstlerischem Anspruch. Brassai war der "Poète des nuits" und er war der Erste, dem ein mehr als überzeigendes Buch zum Thema gelang. . (Es) ist unter allen Titeln mit Paris-Bezug vermutlich der bekannteste, ein gedruckter Superlativ, der Brassai, den mehr oder minder mittellosen Immigranten, buchstäblich über Nacht berühmt gemacht hat" (H.-M. Koetzle). - Deckel mit wenigen Kratzspuren, Ecken mit Knickspuren, Vorderdeckel am Kapital und Fuß geringf. beschädgt (jeweils 2 Löcher an den Metallringen eingerissen), noch sehr gutes Exemplar. Sprache: französisch.

Paris, Arts et Métiers Graphiques, 1933. Gr.-8°. 60 photohéliographic plates. Stiff photographic wrappers; ringbound; an unusual nice copy. Fine spiral binding ! First edition. - One of the classics of photographic literature, this extraordinarily evocative book is now very difficult to find in good condition. Brassai arrived in Paris in 1924 and prowled the city with his friends Henry Miller, Raymond Queneau, Jacques Prévert and Léon Paul Fargue. He used Kertèsz's camera. In 1933 his first book 'Paris de Nuit' was published. A book that remains one of the landmarks in the history of photography."Paris le jour/Paris la nuit", p.85 and passim. Original spiral bound photographic wraps printed in black and red. Spiral binding intact. Ownership inscription. Otherwise a very good plus copy of the notorious fragile book. Rare in this condition. Sprache: Französisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

First Edition. Spiral bound quarto, sixty-four gravure plates. The best-known and most iconic of the great Paris photobooks, printed in a deep gravure so tactile it seems almost as if charcoal will rub off on the hands of the viewer. The cobblestone covers and endpapers are particularly evocative. (Parr / Badger, v1, 134; Roth 76-77). Understated bookplate to front endpaper, with a signature to first page that reads "Brassai," but unlikely in the photographer's hand. Light edgewear to spiral-bound illustrated wrappers; a better than very good copy lacking serious defects.

Softcover. Etat : Good. No Jacket. Brassai (illustrateur). First Edition. 12 pp of text and captions, 62 pp. of full-page black and white photographs. Spiral bound, stiff wraps. Text is in French. Covers and endpapers are additional photographs. Spiral binding is complete and secure, unusual for such a fragile publication. Extremities are worn, covers are scuffed and creased. Front cover has 3/4" square of photo missing (paper only is missing, the underlying board of the cover is complete). Interior is very clean throughout and photographs are sharp and clear. Brassai was one of the most influential photographers of the 20th century and this, his first book, was a landmark work. In it he captures both the luminosity and the eeriness of all corners of the city and lifestyles of Paris at night in the early 1930s. Scarce. Size: Small Quarto.

Hardcover. Fine in Near Fine DJ: The Book is flawless; the binding is square and secure; the text is clean. Free of underlining, hi-lighting, notations, or marginalia in the text. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no flaws. Virtually 'As New'. The DJ shows the lower corner of the rear inside flap clipped; else only mild rubbing to the panels and a touch of scuffing to the head of the backstrip. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12.75 x 11 x 0.8 inches). 7-page text by Paul Morand, who also provides an 11-page section of explanations for each of the 62 full-page duotone photographs, which make up the bulk of the book. 80 pages. Language: French. Hardback with DJ. Brassaï became interested in photography as a way to record encounters on his nightly walks through the streets of Paris. He enjoyed these long strolls after dark and began carrying a camera and tripod in 1929. He compiled these photographs in a book entitled Paris de nuit. A collection of black and white images that juxtaposed luminous, dreamlike nightscapes with contemporary documentary images of the nighttime's denizens. "Night does not show things, it suggests them. It disturbs and surprises us with its strangeness." Brassaï's subjects are not only aware of the photographer, they collaborate with him. His unique style gave Paris de nuit its distinctive intimacy and was a revelation for his artist friends. Fellow night owl Henry Miller wrote: "Brassaï is a living eye.his gaze pierces straight to the heart of truths in everything." Brassaï was at ease with all types of people and this played an important role in his photography. In the course of his nighttime perambulations he befriended pimps and streetwalkers, hoodlums and laborers, who allowed him to photograph freely among them. He was equally accepted photographing nude showgirls backstage at the Folies Begere as he was photographing prostitutes and their clients at Chez Suzy. Paris by Night was also a technical achievement. In an era of slow lenses and even slower film,Brassï relished the darkness and by trial and error learned to get the night shots he was after. Using his training as a painter, Brassaï framed his shots so that small areas of light pierced large areas of blacks and shadows. Light reflected in wet streets and diffused by fog, would define shapes within the dark. This contrast gave his printed images richness and depth and he called these prints his "little boxes of night.".

Paris, Arts et métiers graphiques, [1933]. [12] S. Mit 62 s/w Kupfer-Tiefdrucktaf., gedruckt bei Draeger. (= Collection "Réalités). 25 cm. OKart mit Spiralheftung. Erste Ausgabe (des ersten Fotobuchs Brassais). - Brassaï (d.i. Gyula Halász, 1899-1984), französischer Fotograf ungarischer Herkunft, kam nach Studien in Ungarn und Deutschland 1924 nach Paris. Sein Freund, der ungar. Fotograf André Kertész überredete ihn, die Faszination des Pariser Nachtlebens in Fotos einzufangen. 1933 erschien sein Bildband "Paris de Nuit", der ihn sofort berühmt machte: "Brassai, der Pariser aus Transsylvanien, erscheint als Engel der Dunkelheit. Seine Sensibilität genießt das Ursprüngliche, das Fantastische, das Zweideutige und sogar das Bizarre" (John Szarkowski, Museum of Modern Art, New York). - Deckelkanten gering berieben.

Petit in-4 (250 x 195 mm), reliure éditeur à spirale métallique sous couverture illustrée, 6 pp. de texte et 62 planches photographiques. Édition originale de la préface de Paul Morand. L'ouvrage parait dans la collection "Réalités" publiée sous la direction de Charles Peignot et Jean Bernier. Premier tirage des 62 photographies de Brassaï reproduites à pleine page en héliogravure. Impression d'une qualité saisissante, saluée par le bibliographe et spécialiste de la photographie Andew Roth qui souligne ces "noirs de suie" qui paraissent encore à peine secs au point de faire craindre de s'y tacher les doigts. Citant Baudelaire, le photographe, inspiré aussi par Goya, Toulouse-Lautrec ou Hokusai, se définira plus tard comme un passant, un nouveau poète des foules. Dans Paris de nuit, reportage en réalité "plus romantique que documentaire" et moins axé sur les bas-fonds interlopes que ne le sera Voluptés de Paris (1934), Brassaï ne néglige ainsi aucun aspect de la ville, juxtaposant les images du "demi-monde qu'il connaissait si bien" avec "des aperçus de la classe privilégiée parisienne, de la tour Eiffel et de la place de la Concorde illuminées" (Roth). Le Paris connu, quotidien, diurne, rationaliste et cartésien, ne saurait en effet (et cela est réciproque) exister sans l'autre: "? un Paris dangereux qui est comme la somme de toutes les âmes inquiètes des Parisiens, échappées de leurs bouches endormies" (Paul Morand). Infimes traces d'usure sinon bel exemplaire de ce fragile ouvrage. Andrew Roth, The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, 76: "Paris de nuit combines the luxe and the louche.".

Editions Des Arts Et Metiers Graphiques. [1933] First edition. Small 4to, spirally bound, with limp card covers, creased and with a few small dents and marks. 62 photographic full-page plates and 12 pages of text. Page edges rubbed, back cover coming slightly away from spiral binding at head of spine. Generally a sound copy of a scarce item. Please contact us for more details.

First edition, first printing, of the photographer's first publication, double presentation copy, inscribed by Morand on the first page of text, "à Pierre Cot, Voici un joli décor pour La Patriouille etc. (Chut! chut! chut!) tres fideliement P. Morand Paris, fev. 32", and further inscribed by Brassaï across the following two pages, "Pour Christian-Vincent Matorasso, ce Paris de Nuit perdu et retrouvé avec toute ma sympathie, Brassai, Ete Village, le 7 mai 1965". The first recipient, Pierre Cot (1895-1977), was a politician central to the establishment of the French Air Force, and later of Air France. Morand's inscription alludes to La Patriouille, a display wing of the air force, the French equivalent of the British Red Arrows. Pasted below Morand's inscription is a small photograph of Brassaï in later life, which probably relates to the photographer's subsequent inscription. This is a superb copy of the work in which Brassaï showcases his mastery "at drawing luminosity from the darkness. The swaths of wet paving stones featured on the covers and endpapers of Paris de Nuit gleam like pale beacons in the streetlight. Inside, Brassaï explores the city, beginning with its broad vistas and grand public spaces and gradually moving into the demimonde he knew so intimately" (Roth, p. 76). It remains one of the most influential photobooks; signed copies are rare, and copies inscribed by both author and photographer rarer still. Parr & Badger I, p. 134; Roth, p. 76. Quarto. Illustrated with 62 full-page gravure plates, and 2 double-page plates as endpapers. Spiral bound monochrome photographic wrappers, front cover lettered in red. Housed in a custom black quarter morocco solander box by the Chelsea Bindery. A few punch holes slightly worn, covers lightly creased and rubbed at extremities, a few pages faintly soiled. A very good copy of a notoriously fragile book.

grand in-8°, reliure métallique en spirale, couverture illustrée (bords de la couverture un peu défraichis, petit manque dans le coin inférieur du premier plat), 12 pages de texte et 62 photographies reproduites en héliogravures, intérieur frais, bon exemplaire.

Gr.-8°. 6 Bll. Text und 62 Photographien 25,5 x 20 cm. Illustr. OUmschlag mit Spiralheftung. Erste Ausgabe eines der berühmtesten Fotobücher des 20. Jahrhunderts über das nächtliche Paris. Nächtliche Aufnahmen ohne Kunstlicht galten bis dahin als unüblich. Tim Gidal widerlegte diese Ansicht durch seine Arbeit. 1923 zog er nach Paris, lernt die Künstlerkreise um Picasso und Dali kennen und beginnt 1928 mit den ersten Fotografien. Die Aufnahmen zeigen ein intimes, eher unbekanntes Paris, ein Milieu der Seitenstraßen, der Clochards und Prostituierten und kleinen Leuten. - Ein schönes Exemplar, die Spiralheftung hier in guter Kondition, ohne den meistens durch die Heftung verursachten Ausrisse. - Selten!