pierre molinier, Edition originale (33 résultats)

Hardcover. Etat : Near Fine. 1st Edition. Hardcover, bound in printed boards. Binding lightly rubbed, else unmarked. Text in French.

Soft cover. Etat : Near Fine. 1st Edition. Literary journal featuring a rare erotic fetish photo montage by the photographer Pierre Molinier. Minimal shelf wear; interior clean and fresh.

Hardcover. Etat : New. 1st Edition. In fine condition. 400 pages, large hardcover in pictorial boards, 12.5" by 10". Text in English. Mammoth, crucial book on Molinier and his provocative, gender-bending photos and artwork. Beautifully printed and prodigiously illustrated with hundreds of photos - self-portraits, graphic art and drawings, film scripts, maquettes and studies, and much more, including previously unpublished material. An extensive nearly 100-page chronology closes out the book. Essential publication on Molinier, the most comprehensive to date. PLEASE NOTE EXTRA POSTAGE WILL BE REQUIRED FOR INTERNATIONAL SHIPMENT.

Soft cover. Etat : Very Good. 1st Edition. No marks in text. Not a library book. Ships today in a cardboard enclosure. Shelf B.

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by Pierre Molinier, held at Tony Shafrazi Gallery, NYC, 2000. Stiff card, folded once to 4 pages; 9.75 x 7.25 inches. Condition: Fine. Laid-in is a review of the show and the announcement card for a group show including Molinier as well as an ad for that show, illustrated with a Molinier photograph. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Exhibition Announcement Cards. This is not a book. The original announcement card for two concurrent NYC exhibitions of work by Pierre Molinier titled "Fetish Performance Photographs, Collages, Photomontages" and held at Ubu Gallery, September 7 - October 22, 1996, and at Wooster Gardens/Brent Sikkema, September 7 - November 9, 1996. Stiff card, printed one side; 8.5 x 3.5 inches. Condition: Fine. Laid-in is a 1994 article about the artist. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. First Edition. 168pp., text in French, with many erotic b/w photos throughout featuring his most well known transsexual photographs and montages. A Near Fine copy in a Fine jacket.

First Edition. Hardcover. First Edition. Fine in a Fine dust jacket. Oversize volume, shipping billed at cost.

Etat : Bueno. tapa dura con sobrecubierta francés.

Hardover. Etat : Fine. Etat de la jaquette : Fine.

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. Pierre Molinier's enigmatic photographs influenced European and North American body artists in the early 1970s and continue to engage artists, critics, and collectors today. Viewers are asked to reconsider, with broad implications, the notion of "deviation" in the sexual object and in the sexual aim (transvestism, voyeurism, exhibitionism). MiniDJ shelf wear. Foreign Shipping extra JH.

Softcover. First Edition; First Printing. Wraps, near fine with a bit of toning to the spine. #899 of 1500 copies. Inspiration to many participants in the body art movement. ; 8vo 8" - 9" tall; pp.

hardcover. Etat : near fine. Etat de la jaquette : near fine. Pierre Molinier (illustrateur). First. Many surrealist/erotic photographic illustrations in black & white. 168 pages (French with English translation at rear), small 8vo, black cloth, d.w. Paris: Edition Mennour, (2000). First edition. Very slight bump at top edge of some pages, else near fine.

Couverture rigide. Etat : Neuf. Edition originale. Paris 2005. 1 volume/1. -- Neuf -- reliure éditeur cartonnée illustrée. Format 24,8 x 17,5 cm )( 622 gr ). ------- 167 pages très illustrées. ********************* "" De Pierre Molinier, on ne connaissait que le discours officiel, celui qu'il tenait à ses proches dans le dessein de fonder sa légende sulfureuse. Ici, dans le secret de ses carnets intimes, il parle pour lui seul et se livre sans fard, sans masque, sans travestissement. Notations sur son art, réflexions sur la censure, rêves de société secrète érotique, projets de tableaux, brouillons de lettres -à Malraux, à Breton -, croquis et dessins jamais vus à ce jour : c'est un Molinier encore inconnu qui se révèle, artiste tragique, individualiste éperdu, trompe-la-mort grinçant et drôle. Propos emblématiques du peintre maudit, du réprouvé : Je chante dans ma peinture ce que la société imbécile appelle mes vices et comprends moi-même comme mes passions. Je suis atteint d'une maladie très grave à laquelle on a donné le nom d'érotisme. Etant hors de lieux communs, je suis le monstre. J'aime ce qui est beau dans l'âme de l'individu. La bassesse me dégoûte. Je voudrais que mon tableau ressemble à un être humain avec tout ce qu'il comporte de mystère. Les yeux sont le poignard d'acier qui tranche mon sexe et la douceur bleue qui écrase mon c ur amoureux. "" ********************** ref 653.

Hard Cover. Etat : Fine. First Edition. This is a fine hardcover copy with no wear at all. Completely clean. Text in Catalan and English. This small monograph was prepared to accompany the exhibition at IVAM Centre Julio González, from April 15 to June 21, 1999. Essays by Juan Manuel Bonet, Juan Vicente Aliaga, Giulia Colaizzi, and Pierre Molinier. Illustrated mostly in black & white, some color. Chronology. Exhibition hisrory. Bibliography. 9" high X 5" wide, 267 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Soft cover. Etat : Fine. 1st Edition. First edition, first printing. Soft cover. Black wrappers with title printed in pink on cover and spine; no dust jacket as issued. Photographs, paintings and text (in German) by Pierre Molinier. Essays (in German) by Peter Gorsen and Hanel Koeck. Includes a biography, bibliography and exhibition checklist (in German). Designed by Astrid Gmeiner. 120 pp., with 33 black-and-white plates and numerous additional illustrations finely printed on heavy matte paper by Dellerfuhs, Vienna. 10-7/8 x 7-3/4 inches. Published on the occasion of an exhibition at Galerie Faber, Vienna. Fine (light wear to the wrappers, all plates in pristine condition; binding tight).

Softcover. Etat : Very Good. First Edition. 27.5cm x 19.5cm. 119 pages, black and white illustrations. Illustrated wrappers. Text is in German. Published on the occasion of an exhibition at Galerie Faber, Vienna, with 33 plates, essays by Pierre Molinier, Gerhard Fischer, and Peter Gorsen, and additional illustrations by Molinier. This copy with 4 additional Molinier items laid in: 1. An original silver gelatin photograph 10.2cm x 12.9cm, plate 49 of The Shaman, 1964, from a photograph by Theo Lesoual'ch of Emmanuelle Arsan retouched in ink by Molinier and rephotographed, captioned on the verso in pencil; 2. A black stocking with Molinier's signature printed in gold from the 1996 Ubu Gallery, New York exhibition; 3. Invitation card for the Ubu Gallery exhibition; 4. Typescript letter with manuscript signature of Roger Borderie of C.L.S. Edition-Diffusion and publisher of the 1979 collection of Molinier's Cent photographies erotiques, to Nicolas Hugent of Editions Filipacchi, dated 1986, regarding publication of a new Molinier work based on an interview with his daughter. The catalogue with moderate handling wear, light creasing to the spine. The photograph with very light surface wear and a small, <0.5cm, light circle mark at middle of tail edge. Shipped Weight: .7 kilos. ISBN: 3900911010. ISBN/EAN: 9783900911010.

Brossura. Etat : molto buono. prima edizione. Brossura, 128 pagine, contributi di/su Aguilo, Gaudibert, Butor, Flusser, Bourgeade, Kerchache, Restany, Gina Pane, Michel Journiac, Pierre Molinier, Chris Burden, Henri Maccheroni. Presente curioso omaggio a Molinier con foglio di giornale con tagli laterali.

Hardcover. Etat : New. First Edition. Hardback. Many photographic illustrations in colour & in black & white. 268 pages, s8vo, Original publisher's red silk cloth with 2 small ovalinlaid photos. on cover. Valencia: Generalitat, 1999. Text in Spanish with English translation in the back. Brand new copy still shrink-wrapped. Erotica. Fine.

Poster. Etat : Good. First Edition. 15 x 21cm black and white poster which folds out to 60 x 86cm displaying black and white images by Molinier and an interview with film diector Jean-Pierre Bouyxou.

Encuadernación de tapa dura. Etat : Excelente. 1ª Edición. Catálogo de la exposición celebrada en el IVAM de Valencia entre los meses de abril y de junio de 1999. Tapa dura realizada en tela imitando la libra. Textos de Juan Manuel Bonet, Juan Vicente Aliaga, Giulia Colaizzi, Pierre Molinier. Textos en castellano e inglés. 267 pp.

Gr.-8°. 39 S. und 50 Tafeln. Original Seideneinband. Bertolotti 202. Heidtmann 11388. Roth, The Book of 101 Books 216 f. - Erste Ausgabe. - Eines von 2000 Exemplaren. - "Clothed in the faded finery of fetishism, (Pierre Molinier) made his body the primary substance of his photo-montages, posing, torn apart, strapped to the backdrop of Jouy. Shaman, magician, and demiurge, he refined his perversions and forever became what he wanted to be, a female hybrid transformed by his paintbrush, a hermaphrodite doll with an eternal tragic smile" (Jean-Luc Mercier). - "Unforgettably potent and disturbing" (A. Roth). - Der franz. Maler, Fotograf und Objektkünstler R. Molinier (1900-1976), "begann als Landschaftsmaler, aber schon bald wurde die fetischistische Erotik Schwerpunkt seiner Arbeit. . Molinier begann mit seiner erotischen Kunst um 1950. Mit der Hilfe von zahlreichen speziell angefertigten Requisiten - Puppen, verschiedene Prothesen, Stöckelschuhe, Dildos - und gelegentlich einer Vertrauten, konzentrierte sich Pierre Molinier in erster Linie auf seinen eigenen Körper als Werkzeug und konstruktive Form für seine umfassende fotografische Arbeit. Die meisten seiner Fotografien und Fotomontagen sind Porträts von sich selbst als Frau. Er begann André Breton zu schreiben und sandte ihm Fotografien seiner Bilder. Später nahm André Breton ihn in die Gruppe der Surrealisten auf. Breton organisierte 1956 eine Ausstellung von Moliniers Arbeiten in Paris. Pierre Moliniers enigmatische Fotografien haben europäische und nordamerikanische Vertreter der Body-Art seit den 1970ern beeinflusst; unter anderem Jürgen Klauke, Cindy Sherman und Ron Athey. Moliniers Werke beeinflussen auch heute Künstler, Kritiker und Kunstsammler" (Wikipedia). - Ohne den Klarsichtschutzumschlag und den Schuber, sehr gutes Exemplar. Sprache: deutsch.

Gr.-8°. 39 S. und 50 Tafeln. Original Seideneinband mit Klarsichtschutzumschlag in Orig.-Pappschuber. Bertolotti 202. Heidtmann 11388. Roth, The Book of 101 Books 216 f. - Erste Ausgabe. - Eines von 2000 Exemplaren. - "Clothed in the faded finery of fetishism, (Pierre Molinier) made his body the primary substance of his photo-montages, posing, torn apart, strapped to the backdrop of Jouy. Shaman, magician, and demiurge, he refined his perversions and forever became what he wanted to be, a female hybrid transformed by his paintbrush, a hermaphrodite doll with an eternal tragic smile" (Jean-Luc Mercier). - "Unforgettably potent and disturbing" (A. Roth). - Der franz. Maler, Fotograf und Objektkünstler R. Molinier (1900-1976), "begann als Landschaftsmaler, aber schon bald wurde die fetischistische Erotik Schwerpunkt seiner Arbeit. . Molinier begann mit seiner erotischen Kunst um 1950. Mit der Hilfe von zahlreichen speziell angefertigten Requisiten - Puppen, verschiedene Prothesen, Stöckelschuhe, Dildos - und gelegentlich einer Vertrauten, konzentrierte sich Pierre Molinier in erster Linie auf seinen eigenen Körper als Werkzeug und konstruktive Form für seine umfassende fotografische Arbeit. Die meisten seiner Fotografien und Fotomontagen sind Porträts von sich selbst als Frau. Er begann André Breton zu schreiben und sandte ihm Fotografien seiner Bilder. Später nahm André Breton ihn in die Gruppe der Surrealisten auf. Breton organisierte 1956 eine Ausstellung von Moliniers Arbeiten in Paris. Pierre Moliniers enigmatische Fotografien haben europäische und nordamerikanische Vertreter der Body-Art seit den 1970ern beeinflusst; unter anderem Jürgen Klauke, Cindy Sherman und Ron Athey. Moliniers Werke beeinflussen auch heute Künstler, Kritiker und Kunstsammler" (Wikipedia). - Schutzumschlag am Fuß mit kl. Fehlstelle, sehr gutes Exemplar. Sprache: deutsch.

Hardcover. Etat : Fine. First Edition. Small quarto, 39pp., plus 50pp. of plates with tissue guards. A fine, fresh copy in the publisher's black cloth, which is completely unfaded. In the original clear dust jacket and publisher's plain cardstock slipcase. Slipcase has some corner wear and partial splits, but is very much intact. Roth 101. One of 2000 copies printed. An important volume of erotic photography which explores the boundaries of gender and sexuality.

27 nn. Bll. mit zahlr. teils farb., teils ganzseit. Abb. Nr. 1183 von 1450 (Gesamtaufl. 1500) Exemplaren. - Erste Ausgabe dieser Buchs zu einer der frühen Auseinandersetzungen mit dem Werk des französischen Malers und Objektkünstlers Pierre Molinier. Enthält kurze Texte von Andre Breton zu den Bildern aus dem Film von Raymond Borde und farbige Tafeln nach Gemälden von Pierre Molinier. - Etw. gebräunt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 300 8°. OKart. (etw. gebräunt und fleckig).

Hardcover. Etat : Sehr gut. Pierre Molinie (illustrateur). 1. Auflage. Pierre Molinier; lui-même. Essay über den surrealistischen Hermaphroditen München, Rogner & Bernhard, 1972. 245:175mm.39S.+ ca 41 illustr. Tafeln aus strkerem Papier + 42 dnne Schutzbltter + (6). Mit ca 50 Abb. Original-Seideneinband mit transparentem Originalschutzumschlag im Pappschuber. Erstausgabe. Text von Peter Gorsen. Die Abbildungen sind lithographierten reproductionen von den originalen Photomontagen, mit Beschreibungen auf dem vorhergehender Seite. "Pierre Molinier; Lui-mme is an early publication of his photographic works. The images, shot in Pierre Moliniers studio in Bordeaux, mostly show Molinier alone, or with German sado-masochist Hanel Koeck, in various roles with custom-made costumes and props. Still lifes and portraits are mixed with collages." Mit Bio-,Bibliographie. Eines von 2000 Exemplaren. Einband geringfgig verblasst am Rcken und an Rnder Seite 3-6 und vorletzte Seite, teils getrennte von dem Einband. Pappschuber leicht vergilbt.

Hardcover. Etat : Sehr gut. Etat de la jaquette : Gut. 1. Auflage. Umschlag etwas verkratzt. Schwarzer Leinenband wie neu. Zahlreiche Fotomontagen/Fotografien in schwarz-weiß. Parallel zur Ausstellung 13. April bis 13 Juni 2000 Galerie Kamel Mennour erschienen.

4°, Softcover/Paperback. 1.Auflage,. 119 Seiten mit zahlreichen Abbildungen, Einband mit geringen Lagerspuren, ansonst sehr guter und sauberer Zustand.--------------------------------------Mit perönlicher Widmung vom Herausgeber Gerhard Fischer, signiert 3900911010 Sprache: Deutsch Gewicht in Gramm: 560.

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. 1st Printing. 90 pages. Published in 1972. Collection of auto-portraits, presented as an Artist Book. One of the greatest art photography books of the 20th century. Limited Edition of 2000 copies. Published as a hardcover original only. There is no ISBN. The Limited Edition is now rare. An austerely elegant production by Pierre Molinier and Rogner & Bernhard: Regular-sized volume format. Black cloth boards with black titles embossed on cover and spine, as issued. Photographs by Pierre Molinier. Essay by Peter Gorsen. Printed on pristine-white, thick coated stock paper in Munich, Germany to the highest standards. The reproduction quality is exemplary in every respect. In publisher's original glassine DJ, as issued. Presents "Pierre Molinier, Lui-Meme". He as himself, as way ahead of his - and our - time. Some of the most haunting (and haunted) auto-erotic photographs ever made by an artist single-handedly pushing the boundaries of art to its farthest limits. The challenge Molinier poses is fundamental: Is he an artist or not? That is to say, his fetishism can be easily dismissed, and its transcendent beauty denied. His is the work of someone who was, on the outside, a conventionally handsome and refined French gentleman. His unsettling work, which he produced for his own private pleasure, belies this mask and rejects it. Because he also created remarkable etchings and paintings, Pierre Molinier did not think of himself as a photographer, but rather as an artist who finally realized his fetishistic vision through photography. He shot carefully staged photographic tableaux that utilized mannequins and other props. The latter reminds us of his obsession with sex as pure fantasy, as something which begins and ends as a fantasy that can never ever be achieved in reality. In the process, he created some of the most disturbingly beautiful photographs of the 20th century. Molinier shows that the erotic (as opposed to the pornographic) is about beauty (the beauty of fantasy), an aesthetic (rather than a sexual) experience. Gilles Berquet, Lucas Samaras, Helmut Newton, Robert Mapplethorpe, and Ellen Von Unwerth, among many others, would not be possible without Molinier's pioneering example. An absolute "must-have" title for Pierre Molinier collectors. This is a copy of the Limited Edition of 2000 copies. This title is a great art photography book. This is one of few copies of the Limited Edition still available online, is still in the publisher's original glassine DJ, and is in especially fine condition: Clean, crisp, and bright. We have not seen a more beautiful copy of the book. Please note: Copies available online have serious flaws. This is surely an accessible and lovely alternative. A rare copy thus.50 plates. Selected as one of the "Seminal Photography Books of the 20th Century" in the "Book of 101 Books". One of the greatest artist/photographers of the 20th century. A fine collectible copy. (SEE ALSO HANS BELLMER AND GILLES BERQUET TITLES IN OUR CATALOG) ISBN 3920802950. no.

P., Le Terrain Vague, 1964, in-8, br., couv. illustrée, non paginé. Edition originale. 1/1450 ex. num. sur papier Neige. 6 reproductions en couleurs, dessins, images par Pierre Marty, film de l'atelier de Molinier par Raymond Borde. Avec le prière d'insérer orné d'une reproduction en couleurs au verso, et un petit catalogue des éditions Le Soleil Noir.