salammbo de flaubert, Edition originale, Signé (15 résultats)

kart. Etat : Gut. 1. Aufl. 447 S. : Ill. ; 18 cm; Gutes Ex.; Einband etwas berieben. - Vortitelblatt mit Widmung und SIGNIERT von Mit-Herausgeber Andre Stoll. - INHALT : Das Gelage --- In Sikka --- Salammbo --- Vor den Mauern Karthagos --- Tank --- Hanno --- Hamilkar Barkas --- Die Schlacht am Makar --- Im Feld --- Die Schlange --- Im Zelt --- Der Aquädukt --- Moloch --- Der Engpaß "Die Axt" --- Matho --- Bilddokumentation Nachwort der Herausgeber. ISBN 9783458320425 Sprache: Deutsch Gewicht in Gramm: 230.

Hardcover. Etat : Fine. Limited Edition. Quarto, 316pp., illustrated. A fine, crisp copy in the publisher's white buckram, with a few very faint foxing marks to the very top of the spine, else lovely. In the original tissue dust jacket, darkened on the spine with some chips. In the publisher's slipcase, near fine, with very mild edgewear. This is number 1308 of 1500 limited copies SIGNED by illustrator Edward Bawden on the limitation page. An unusually vibrant and appealing LEC volume from this period.

Hard Cover With VG Slip Case. Etat : Fine. EDWARD BAWDEN (illustrateur). Limited Edition. LIMITED EDITION CLUB. Number 1405 of 1500 copies. FINE hard cover with very good+ slip case. Large or heavy book and may require extra postage. No international amazon order on this title. Size: 4to - over 9¾" - 12" tall. Signed by Illustrator.

Hardcover. Etat : Fine. FIRST. SALAMMBO Inscribed by Flaubert 1863 first edition second printing in original paper wraps With deluxe full leather tray case. Signed by Author(s).

Etat : Fine. Edward Bawden (illustrateur). Limited Edition. A fine, clean and tight copy in a very good slip case with monthly letter laid in. A very nice copy, number 31 of 1500 copies, signed by the illustrator. Slip case is tight with rubbing/edge wear to corners. Book is very nice. No bookplates, no ownership signatures.

[Literature] INSCRIBED FIRST ENGLISH LANGUAGE EDITION. Octavo (20 x 14cm), pp.[4] xxiv; 422 [6]. INSCRIBED by the translator in black ink to title page, 'To Henry Irving Esq. | with compliments of | M. French Sheldon | March 26th 1886.' Small vignette to title page. Publisher's blue cloth, gilt titles to upper and spine. Bevelled edges. Floral endpapers, edges untrimmed. Gentle spotting and toning throughout, otherwise internally clean. Moderate to heavy toning and wear to cloth. Good. The first English translation of Flaubert's famous novel set during the Mercenary War (241237 BC).

[Literature] INSCRIBED FIRST ENGLISH LANGUAGE EDITION. Octavo (20 x 14cm), pp.[4] xxiv; 422 [6]. INSCRIBED by the translator in black ink to title page, 'Marquise Salisbury | Compliments of | M. French Sheldon | March 26th 1886.' Small vignette to title page. Publisher's blue cloth, gilt titles to upper and spine. Bevelled edges. Floral endpapers, edges untrimmed. Purple stamp of Hatfield House Library to title page. Toning to endpapers and edges. Soiling and bubbling to cloth in places. Rubbing and wear to joints and extremities. Good. The first English translation of Flaubert's famous novel set during the Mercenary War (241237 BC). Ex Libris Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830-1903), Prime Minister of the United Kingdom in 1885; 1886-1892, and 1895-1902.

Hardcover. Etat : Very Good. LIMITED EDITION. 4to. 1st edition of this translation. LIMITED SIGNED ISSUE, one of 100 SIGNED by the translator, the publisher, and the author of the introduction, but not signed by the dedicatee. Rebacked. Full leather; t.e.g. Translator's and Mrs. M. French Sheldon's photos pasted in at recto of f.f.e.p. and second blank. A few scrapes to boards, rubbing to edges and some wear to fore-corners. Chipping to edges of free endpapers. A little toning to leaves, offsetting to pps. 94-95, obviously from a plant laid-in at a previous time. Offsetting to first blank. Newspaper clippings pasted to verso of second blank and recto of third, also causing offsetting. Negligible stains to edges of text block. VG.

Hardcover. Etat : Very Good. First Edition Thus. Limited to 100 copies signed by M. French Sheldon, Henry Morton Stanley, and Edward King. Translated by. M. French Sheldon. Very Good. Leather binding by Zaehnsdorf, faded at the spine, rubbed at the edges and joints. Square and firmly bound with a gilt top edge, silk endpapers with a small chip to the front endpaper, label inside the front board, Royal Yacht Squadron label on the verso of the front endpaper, additional inscription on one of the front flyleaves. Flaubert's best-selling historical fiction about the theft of a sacred veil after the First Punic War.

Soft cover. Etat : Fine. No Jacket. 1st Edition. SALAMMBO Inscribed by Flaubert 1863 first edition second printing in original paper wraps With deluxe full leather tray case. Signed by Author(s).

Hardcover. Etat : Very Good. Limited Edition. Salammbo Paris: Les Editions d'Art Devambez, 1926. First limited edition #XVIII/25 (of 237) numbered copies printed for the artist. 4to. Original vellum, front joint starting. Illustrated with frontispiece etching, 21 etchings (five full-page), double-page etching with a 16 line autograph annotation by the artist, full-page watercolor signed in pencil by the artist, and an original etched copperplate mounted on the inside of the front cover. Several etchings showing discoloration, with other scattered light foxing.

Couverture rigide. - Michel Lévy frères, Paris 1863, 14x22cm, relié. - Édition originale. Reliure en demi chagrin bleu marine, dos lisse légèrement foncé sans gravité orné de triples filets dorés, plats de papier marbré, tranches mouchetées, reliure de l'époque. Envoi autographe signé de Gustave Flaubert au jurisconsulte et homme politique rouennais F[rédéric] Deschamps : « hommage de la plus haute considération, souvenirs d'amitié ». Frédéric Deschamps est « une des lumières du barreau rouennais et l'un des citoyens les plus estimés de la Normandie » (Biographie nationale des contemporains, Glaeser, 1878). Egalement républicain engagé aux côtés de Jules Sénard, mais aussi écrivain et poète, il défendra contre la mairie de Rouen la proposition de Flaubert d'édifier une statue en hommage à Louis Bouilhet. Une partie de la correspondance entre Gustave Flaubert et Frédéric Deschamps est conservée à l'Institut de France. Précieux exemplaire en reliure d'époque enrichi d'un amical envoi autographe signé de l'auteur à l'un des membres du cénacle rouennais. [ENGLISH TRANSLATION FOLLOWS] First edition. Contemporary half navy blue shagreen over marbled paper boards, spine with triple gilt fillets (slightly discolored, but not seriously), speckled edges. Inscribed by Gustave Flaubert to the jurist and politician from Rouen, F[rédéric] Deschamps: "hommage de la plus haute considération, souvenirs d'amitié [with my deepest respect and memories of our friendship]". Frédéric Deschamps was "one of the leading lights of the Rouen bar and one of the most upstanding citizens in Normandy," (Biographie nationale des contemporains, Glaeser, 1878). A Republican serving alongside Jules Sénard, he was also a writer and a poet; and acted in defence of Flaubet's proposition of erecting a statue to Louis Bouilhet against the municipality of Rouen. Part of the correspondence between Flaubert and Deschamps is preserved in the Institut de France. A handsome copy in its contemporary binding with a friendly autograph inscription from the author to a member of the literary world in Rouen.

Couverture rigide. - Michel Lévy, Paris 1863, 15x23cm, relié. - Édition originale sur papier courant. Reliure en demi chagrin sapin, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier à la cuve, ex-libris encollé sur une garde, reliure de l'époque. Quelques légères rousseurs sans gravité. Rare envoi autographe signé de Gustave Flaubert à (Louis) de Carné, journaliste et historien dont Flaubert possédait plusieurs ouvrages référencés dans l'inventaire de sa bibliothèque. L'intérêt que portait Flaubert à l'uvre de Carné n'était toutefois pas toujours bienveillant. On retrouve en effet des notes critiques sur ses articles dans les dossiers de Bouvard et Pécuchet. D'autre part, la parution de Salammbô coïncide avec l'élection controversée de Louis de Carné à l'Académie Française, qualifiée de coup d'état clérical par une partie de l'opinion publique. Elle était en effet le résultat de la fronde organisée par Mgr Dupanloup contre l'autre candidat, Emile Littré, auteur d'une définition matérialiste de l'homme qui déchaîna la fureur des partis religieux et Orléanistes. Flaubert évoque le scandale de cette élection dans une lettre aux Goncourt du 6 mai 1863 : « Avez-vous suffisamment vitupéré Sainte-Beuve et engueulé l'Académie à propos de la nomination Carné ? » Bien qu'il précède sans doute légèrement cette élection, cet envoi de Flaubert à Carné est un curieux hommage d'un écrivain accusé naguère « d'offense à la morale publique et à la religion » à un futur représentant du pouvoir religieux au sein même de la prestigieuse Académie. Précieux exemplaire comportant un envoi autographe et agréablement établi en reliure de l'époque. [ENGLISH TRANSLATION FOLLOWS] Salammbô First edition on ordinary paper. Half-forest green shagreen contemporary binding, spine with five raised bands, marbled paper board and endpapers, bookplate pasted on one guard. Some slight, minor foxing. Rare signed and inscribed copy by Gustave Flaubert to (Louis) de Carné, journalist and historian, several of whose works were listed in the inventory of Flaubert's personal library. Flaubert's interest in de Carné's work was not always benevolent, however. Critical notes on his articles can be found in the Bouvard and Pécuchet files. Moreover, the publication of Salammbô coincided with the controversial election of Louis de Carné to the Académie Française, which some critics deemed a clerical coup d'état. His election resulted from a campaign orchestrated by Bishop Dupanloup against the opposing candidate, Émile Littré, whose materialist definition of man had provoked the ire of religious and Orléanist factions. Flaubert refers to the scandal of this election in a letter to the Goncourt brothers dated 6 May 1863: "Have you sufficiently railed against Sainte-Beuve and cursed the Académie over Carné's appointment?" While this inscription likely predates the election, it remains a curious tribute from an author once accused of "offense against public morality and religion" to a future representative of religious power within the prestigious Académie. A precious copy, featuring a rare autograph inscription, handsomely bound in a contemporary binding.

Editions Dargaud 1986. In-4 cartonnage éditeur pleine toile bordeaux, non paginé, de 68 pages au format 32 x 24 cm. Couverture, avec petite vignette illustrée en couleurs, collée, et titre en blanc embossé. Dos carré avec titre. Plats et intérieur frais. Livre glissé sous un coffret toilé. Dessins en couleurs et scénario par Philippe Druillet d'après le roman de Gustave Flaubert. Tirage de luxe d'un total de 1350 exemplaires. Cet exemplaire est un des 925 exemplaires, numérotés et signés par Philippe Druillet, réservés à la france, bien complet de la sérigraphie originale numérotée et signée par Philippe Druillet au format 47 x 65 cm. Rare édition originale, en tirage de luxe, et en superbe état de fraicheur.

First edition, first printing, author's presentation copy, inscribed 'à mon cher confrère d'outre-manche Hamilton Aidé, Gus. Flaubert' on half-title; 8vo; text a little toned, very light creasing to upper, outer marginal corner of early pages, very occasional spotting, otherwise good; later full green calf, scuffed and rubbed to extremities, spine faded, upper board a little splayed but sound. Inscribed by the author to his fellow novelist and friend, Charles Hamilton Aidé. Described by his friend Henry James as 'supreme dilettante', and by the literary critic John Sutherland as 'super-sophisticated (and probably homosexual)' Aidé (1826-1906), 'spoke and wrote French as easily as English, [and] devoted himself to society, music, art, and literature. His novels were simply written, under an obvious French influence. His frequent use of first-person female narrators led some early reviewers to believe that he was a woman' (ODNB). In 1862, the year before Flaubert presented him with this copy of Salammbô, Aidé's first novel, Rita, had been translated into French. Writing to his niece Caroline Hamard on 13 October 1862, Flaubert mentions that Hamilton Aidé had paid him a visit ('.Il est pour peu de jours à Paris. Il m'a semblé vielli et ratatiné', and in the same letter he reports that 'Salammbô ne sera pas encore parue' (Correspondence, Vol. III, 1980, p.253). This is the first edition, first printing, with the faults 'effraya' instead of 'effraièrent' on p.5, and 'Scissites' instead of 'Syssites' on pages 251, 368, and 370. Carteret I, p.266.