tulsa de clark larry, Edition originale (33 résultats)

Soft cover. Etat : Near Fine. 1st Edition. A very nice copy of the first Grove Press edition. Book.

First edition thus. Softcover. A gritty collection of black and white images all taken in Clark's hometown with most revolving around intravenous drug users there. A near fine copy in wrappers with some slight curvature and some minor wear. Signed by Clark on the front free endpaper. Uncommon signed.

Soft cover. Etat : Near Fine. No Jacket. 1st Edition. Near fine+ softcover book, signed on the title page by Larry Clark in New York City. Besides the signature, the book is absolutely as new and unread, no creases or cracks to the spine. Please take careful note of the photos which indicate the remarkable condition. Signed by Author(s).

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by Larry Clark titled "Tulsa" and "Artist's Books" and held at Printed Matter, NYC, July 22 - September 12, 1999. Stiff postcard, printed both sides; 6 x 4 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. Bard Back, Silk screened, Flexible jacket. Size: 330 x 245 mms. 50 years on from Tulsa, Larry Clark has returned to his archive of vintage prints, crafting a powerful vision of his work from 1962-1973, to produce his new book Return, a meticulously printed, outsized monograph.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First thus.

First edition thus. Hardcover. A gritty collection of black and white images all taken in Clark's hometown with most revolving around intravenous drug users there. A fine copy in a fine dust jacket. As new and still largely in the publisher's shrinkwrap slit open to verify printing.

Hardcover. Etat : As New. 1st Edition. #25 still sealed in shrink wrap. Signed by Author(s).

Hardcover. Etat : Fine. 1st Edition. Signed, Numbered Limited Edition in slipcase w/ Silver Gelatin Print laid in. #212 of 250. Signed and numbered by Clark on Limitation page and verso of print. Minor edgewear to slipcase, otherwise Fine. Signed by Author(s).

Hardcover. Etat : New. 1st Edition. PLEASE NOTE: Due to the explicit nature of some of the content, you must be at least eighteen years of age to order this item. First edition thus (Grove Press). Limited slipcased edition of 250 numbered copies, signed by Clark, with an original previously unpublished 8 x 10-inch black-and-white gelatin silver print (also numbered and signed by Clark on verso in pencil, print edition 250). Hardcover. Black cloth with silver stamped spine, in black cloth slipcase; no dust jacket as issued. Photographs by Larry Clark. 64 pp., with numerous black-and-white plates. Slipcase measures 12-1/2 x 9-1/2 inches. Out of print. Scarce. New in publisher's shrink-wrap. Originally published in 1971 by Lustrum Press in softcover. In 1979, Clark self-published the book in cloth, with an illustrated dust jacket. The only other edition, aside from this Grove Press reprint, is a Japanese cloth edition of 1200 published by the Taka Ishii Gallery in 1996. Signed by Author.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Fine/Fine/Fine. Signed by Author. First Cloth Edition actually 1979.Quarto cloth / Signed at the bottom of title page by Larry Clark.One of the great collectibles of the genre. Signed by Author(s).

Hardcover. Etat : Gut. Schutzumschlag. 1. Auflage. Larry Clark, New York. 1987 (self-published). First hardcover edition, first printing. One of the most influential photobooks of the 20th century: Andrew Roth, The book of 101 books, page 208/209; Martin Parr, The Photobook, vol 1, page 260. Hardcover with illustrated dustjacket. 235 x 315 mm (9 x 12 1/4 x 9 1/4 inches). 64 pages. Text in english. Condition: Book inside and outside fresh and flawless with no marks and with no foxing; very light trace of use, no defects. Dustjacket fresh and almost complete with only one marginal missing parts at the bottom of the front and at the top of the spine; still fresh, better than usual and still very impressive. Overall fine condition! Fantastic photobook! Scarce first hardcover! With the original dustjacket! The first cloth bound issue of Clark`s classic first book which was originally published in 1971 as a softcover. This edition was bound up by and released by Clark. A gritty collection of black and white images all taken in Clark`s hometown with most revolving around intravenous drug users there. ***************Larry Clark, New York. 1987. (Eigenverlag des Künstlers). Erstausgabe in Hardcover. Amerikanische Originalausgabe. Eines der einflussreichsten Fotobücher des 20. Jahrhundert: Andrew Roth, The book of 101 books, Seite 208/209; Martin Parr, The Photobook, vol 1, Seite 260. Hardcover mit illustriertem Schutzumschlag. 235 x 315 mm. 64 Seiten. Text in englischer Sprache. Zustand: Buch innen und aussen sehr gut, sauber und frisch erhalten; keine Besitzvermerke, keine Stockflecken, keine nennenswerten Mängel. Der Schutzumschlag frisch und überdurchschnittlich gut erhalten mit nur zwei marginalen Fehlstellen am oberen Rücken sowie am unteren Rand der Vorderseite; fast vollständig und beeindruckend. Insgesamt guter Zustand! Fantastisches Fotobuch! Seltene Erstausgabe in Hardcover! Mit dem Original-Schutzumschlag! Sprache: Englisch Gewicht in Gramm: 1600.

Soft cover. Etat : Good. 1st Edition. First Edition thus, first printing of the Lustrum Press imprint, 1971. Clean and tightly bound with Fine photographic plates and text. The covers show some edge/shelf wear with minor creasing and a 1" tear to top of spine, not affecting contents. A tightly bound and unmarked copy.

Hardcover. Etat : Near Fine. Etat de la jaquette : NF light Edgewear, Short Tears. 1st Edition. Book.

Soft cover. Etat : Good. 1st Edition. Some scuffing on spine, with significant one-inch scuff at base of spine. No marks on pages save for small owner name on inside of back cover. First edition of photo classic.

Paperback. Etat : Fair. First Edition. N.P.: Lustrum Press, 1971. Softcover first edition, published by Lustrum Press in 1971. Worn example with first six leaves detached. Softcover, 60 pages with additional blank leaf at rear, no specific title page but identified as Lustrum Press and with the photographer's introduction identified as L.C. Stunning autobiographical photo essay of an intravenous drug user with gritty photos of drug addicts, criminals and gun play. Covers heavily rubbed at the edges with additional wear and chipping to the spine, light cover creasing and other wear, first two leaves have some general shallow creasing, detached pages have some edgewear, the page with David Roper has some light soil to the margins. remaining leaves very good, no names or other markings. First Edition. Soft Cover. Fair. 4to - over 9¾" - 12" tall.

Etat : Very good. New York: Self-published by Larry Clark, [Rapoport Printing], [1979]., [1979]. Very good. - Quarto, 12-1/4 inches high by 9-1/4 inches wide. Hardcover, bound in black cloth titled in silver on the spine, in a pictorial black dust wrapper. The edges & corners of the dust jacket are very faintly creased. [62] unnumbered pages, with profuse black & white illustrations and plates from photographs by Larry Clark. Near fine in a very good dust wrapper. The second edition, but the first hardcover edition. Published using the sheets of the 1971 softcover edition. Some sources give the publication date of this book as 1983.

Cloth. Etat : Fine. Etat de la jaquette : Fine. An immaculate copy of the 1996 1st Japanese edition, published by the Taka Ishii Gallery of Tokyo. Clean and Fine in a crisp, Fine dustjacket. Tall quarto, text (what little there is) exclusively in Japanese. Clark's crisp, haunting black-and-white photos, staying remarkably true to their original American iteration.

Hardcover. First Edition Thus. SIGNED by Clark on bottom of title page and self-published by Clark himself in 1983. Clark's black & white photographic anthology presents a raw look at American youth in Tulsa, Oklahoma, during the late '60s and early '70s. Through his lens, Clark captures gripping images of drug use, violence, and personal moments with brutal honesty. Notably, Clark appears in some of the photos himself, showing that he was deeply involved in the environment he was documenting. This added authenticity to his work, which is still highly regarded for its daring portrayal of youth culture and the human condition. 4to, bound in original black cloth with silver lettering in original dust jacket preserved in a clear sleeve. Minimal bumping to head and tail of spine. Small dent and tear to top edge of back board and a small bump to top corner of front board. Some minor fading to top of boards. A light scratch on back board. Dust jacket has minor chipping to spine ends. Slight edge-wear to top and bottom panels and a closed tear at top of rear panel. Some light rubbing on front and back panels. Overall, a Near Fine copy in a Very Good dust jacket. .

Hardcover. Etat : Very Good. 1st Edition. No marks. Light shelfwear at jacket edges. First Cloth Edition, 1971, published by Clark, printed by Rapaport Press. Signed by Larry Clark. Signed by Author(s).

First edition. Softcover. From the library of New Topographics photographer Joe Deal with his rubber stamp to the front free endpaper. The true first edition of Clark's classic first book. A gritty collection of black and white images all taken in Clark's hometown with most revolving around intravenous drug users there. A close to near fine copy in wrappers with some minor wear. A nice copy of an inherently fragile book and with an interesting provenance. (Parr & Badger v1 260, Roth 208-209).

Hardcover. Etat : Fine. Dust Jacket Included. 1st Edition. PLEASE NOTE: Due to the explicit nature of some of the content, you must be at least eighteen years of age to order this item. First edition thus (hardbound), first printing. Limited edition of the 1983 hardbound edition of the book, signed and numbered by Clark on the title page (from an edition of 400, this being #82; edition actually ends at #243, noted by Clark on several early numbered copies of the edition). Incudes an original gelatin silver print of "Death is more perfect than life." [Billy Mann: Dead 1970] (cover image of the book. Paper size 10 x 8 inches; image size 8 3/4 x 5 7/8 inches). The print is signed and numbered on verso, enclosed in the original envelope for the print (with the same limitation number). Hardbound . Black cloth-covered boards, with photographically-illustrated dust jacket. Photographs by Larry Clark. 64 pp., with black-and-white plates throughout. 12-1/4 x 9-1/4 inches. Scarce. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004).]. Fine in Near Fine dust jacket (slight wear to the extremities, else Fine). The print has about a 1-inch crescent-shaped crease near the subject's head, visible only in raking light, otherwise Fine. An exerpt from the text by David Levi Strauss (The Book of 101 Books: Seminal Photographic Books of the Twentieth Century): "In Tulsa, Clark first eliminated one of the rhetorical mainstays of documentary photography: the distance of the 'objective' observer from his or her subjects. The initial shock of Tulsa was that it was photographed from inside the story, and this changed everything. Tulsa, which was Larry Clark's first book, was published by Ralph Gibson's Lustrum Press, and the book was really a collaboration between Clark and Gibson." Signed by Author. Signed by Author(s).

Quarto. One of only four sets of unbound proof signatures gathered for this Special Edition during the printing process of the first edition ofTulsa at Lustrum Press (1971),as documented by loose colophon sheet SIGNED by Clark. The signatures are accompanied by a silver gelatin print (6.5 x 8.5 in.), also SIGNED by Clark to lower margin, which was used as printer's proof during the subsequent printing of the Tulsa portfolio in 1972. Signatures near fine, with minor signs of handling. The photograph is in fine condition, with editorial notes to verso in pencil. All elements housed in half-leather slipcase, with silken pull-tab chemise.

First Edition thus. Quarto. This copy INSCRIBED by Clark to Anne Lewis-book designer and co-founder of Lustrum Press, the publisher of the first edition of Tulsa (1971), which was issued only in wrappers. A pleasing association copy, as Clark thanks Lewis for her assistance in his self-publication of this hardcover issue, utilizing leftover sheets from the 1971 edition. "Thanks once again for the help. We make a great team!" Near fine copy in black boards, in photo-illustrated jacket, with minor wear to head of spine, else near fine.

paperback. Etat : As New. First Edition. *Autographed by author.* Softcover. Good binding and cover. Clean, unmarked pages. In protective mylar cover. 50 black and white photographs of Clark's gritty narrative of amphetamines in Tulsa, Oklahoma. Tulsa attracted controversy for its depictions of drug addiction, teenage sexual activity and guns in middle America. Roth 208. Parr & Badger, The Photobook: A History, Vol. 1, p. 260. Signed.

First Hardcover Edition, preceded by a softcover edition published by Lustrum Press in 1971. SIGNED on the title page by photographer Larry Clark. Clark's controversial first book, documenting sex, drug use, and violence among his young friends in the suburbs of Tulsa, Oklahoma. Short closed tear on the bottom edge of the dust jacket rear panel, else Near Fine in a Near Fine dust jacket.

Etat : Fine. Beautifully rebound, signed, and almost universally misdescribed first hardcover edition (and second edition overall) of Clark's classic photobook. First published in 1971 by Ralph Gibson's Lustrum Press, Larry's Clark's indelible TULSA was followed by this edition, published by the photographer himself in 1983. And let's make one thing clear right away: this book WAS published in 1983. Not 1979 as innumerable booksellers routinely, indeed pretty much exclusively, describe it. First and foremost, it was not announced or advertised until that year (Green). Likewise, reviews did not appear until that year either. For example, Andy Grundberg wrote for the NEW YORK TIMES on April 10, 1983: "Mr. Clark's 'Tulsa,' now reissued in a hardcover edition published by the photographer himself [.] remains a harrowing, vivid and unforgettable document." And as Grove Press described the chain of editions (presumably with some input or approval from Clark) when they reissued the book in 2000, TULSA was "[o]riginally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author." This edition was likely prepared to coincide with the publication that same year of Clark's second book TEENAGE LUST (also self-published by Clark), which may have unwittingly contributed to the confusion. Indeed, the 1979 date seems to have originated from a conflation of events described in Andrew Roth's 101 BOOKS. In his entry for TEENAGE LUST, Vince Aletti writes: "After a tentative deal with Aperture fell through, Clark designed and published the book himself with money he'd built up from his 1979 second edition of TULSA." But what Clark produced in late 1979 was not a new book edition of TULSA, but rather a suite of new photographic prints of the full series, issued in an edition of 100 by the Robert Freidus Gallery, in conjunction with a major exhibition of the Tulsa photos held there. The portfolios retailed for $15,000 something Clark frankly admitted at the time he did for "the money" (PCN). It was almost certainly from these funds that Frank printed both TEENAGE LUST and this new (first hardcover) edition of TULSA. Further, it should be stated that this book was NOT assembled from leftover first edition sheets, again as many dealers assert or imply. This edition was advertised as being issued in an edition of 3000 copies; the 1971 Lustrum edition was printed in an edition of 2400 copies. It seems extraordinarily unlikely that there was a 125% overrun of that edition and that those unbound sheets laid around unused for more than a decade. Almost equally as unlikely is that no bookseller I can find has ever called the book what it rightly should have been were this true: the first edition, second issue of TULSA. And no enterprising book dealer I know has ever turned down the opportunity to make a selling point of a bibliographic point. But while it's true that in the history of book collecting there are certainly examples of stranger bibliographical tales than long-forgotten unbound overages, it is equally true that in this particular case we need not wonder or hypothesize. We know these two editions are completely separate because we know who printed each. It says so right in the book: "Tom Jones, Los Angeles, California" printed the 1971 edition, and (the noted photography printer Sid Rapoport of) Rapoport Printing the 1983 edition. So the idea that the latter edition was made up from 1971 sheets is not only unlikely and illogical on its face, it is blatantly contradicted by any straightforward comparison of the copyright pages of the two editions. But even OCLC has repeated this erroneous information ("[P]rinted by Rapoport Press under the author's supervision, cloth-bound and issued in 1979 using the 1971 first edition sheets"), so there's plenty of go-around to blame. Nevertheless, this corruption of the bibliographic record does feel emblematic of something. Fake news? A devaluing of genuine expertise? A skepticism around the idea that facts may be arrived at through a careful examination of the historic record? The continued Wild West shit show that is online dealing in the 21st century? I don't know. I'm just a bookseller. But I can state the following, as a bookseller: This is an attractive and solemnly-bound copy of the second edition overall and first hardcover edition of this important and still visceral photobook documenting a subject that Clark would spend his career investigating: the reckless abandon of youth to drugs, to drink, to guns, to sex. Unlike his subjects, however, we booksellers should endeavor toward a greater sobriety, about this or any other book. Rebound in full black oasis morocco with silver titles and front panel of dustjacket bound in. Black endpapers. [60] pages. One of 3000 copies. Signed by Clark on title page. Bright, sharp, and clean.

Hardcover. Etat : Acceptable. Signed. First Edition. Collectible - Acceptable - SIGNED by Larry Clark on title page. First edition, published by the artist and printed at Rapoport Printing, New York. Some shelfwear and a few tear to dj, light discoloration and some warping to bottom of textblock - in our rare books collection - damaged/worn/marked copy Oversized.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition; First Printing. Hardcover. 4to. Larry Clark. 1971 [1979]. Unpaginated. First hardcover edition (second edition, preceeded by the paperback edition in 1971). Signed by Larry Clark on the FFEP. DJ in VG shape with light shelfwear present to the DJ. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. E-108; 8vo 8" - 9" tall; Signed by Author.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. First edition thus (Japanese). Black cloth-covered boards, with photographically illustrated dust jacket. Photographs by Larry Clark. 64 pp. with black-and-white plates throughout. Minimal text and captions in Japanese. 12-1/4 x 9-1/4 inches. This exact reprint of the original edition was printed in an edition of 1200 copies. Fine in Fine dust jacket. Originally published in 1971 by Lustrum Press in softcover. In 1979, Clark self-published the book in cloth, with an illustrated dust jacket. The only other edition, aside from the Grove Press reprint in 2000, is this Japanese cloth edition.